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L'homme de ma vie (1992) [N/A]

Featuring:
Maria de Medeiros, Thierry Fortineau, Jean-Pierre Bacri

Written by:
Jean-Charles Tacchella

Directed by:
Jean-Charles Tacchella


Release Date:
June 3, 1992

Original Title:
L'homme de ma vie

Genres:
Comedy | Romance

Production Companies:
Optima Productions

Production Countries:
France

Ratings / Certifications:
 N/A

Runtime: 103

The wonderful world of Aimee

Overview from TheMovieDB

A delightfully classic French comedy of high sophistication and light hearted wit, that in the end suffers for it. This is immensely watchable simply for the presence of Maria De Medeiros, the central two of the film are captivating. What spoils it is the stereotypical and under developed second characters and an overly wistful outlook. But I defy any man watching this film not to fall madly for Aimee and everyone will cherish the scenes between Aimee and Maurice.

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Overview from Open Movies

After her relationship with her married lover ends, Aimee dons a sexy dress to try to ensnare a rich husband so that she can live the life of a housewife. She changes her personality and desires like a chameleon to fit her latest target.

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Rankings and Honors

L'homme de ma vie (1992) on IMDb
Internet Movie Database 6.7/10

Performers

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Production

Costume Design:
Sylvie de Segonzac

Director:
Jean-Charles Tacchella

Director of Photography:
Dominique Le Rigoleur

Editor:
Marie-Aimée Debril

Foley Artist:
Gadou Naudin

Hairstylist:
Bob Pritchett

Makeup Artist:
Clair Blondel

Original Music Composer:
Raymond Alessandrini

Producer:
Gabriel Boustiani
Justine Héroux

Production Design:
Serge Douy

Writer:
Jean-Charles Tacchella

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.