A work in constant progress (and occasional regress).
Release Date:
August 19, 2015
Original Title:
American Ultra
Alternate Titles:
美式极端
아메리칸 울트라
Genres:
Action | Comedy
Production Companies:
Circle of Confusion
FilmNation Entertainment
Likely Story
Lionsgate
Merced Media Partners
PalmStar Media
The Bridge Finance Company
Production Countries:
Switzerland | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 CA: 18A CH: 16 DE: 16 DK: 15 ES: 16 FR: U GB: 15 HK: IIB HU: 16 IE: 15 JP: R15+ KR: 18 LT: N-16 NL: 16 PL: 16 PT: M/16 RU: 18+ US: R
Runtime: 96
Mike is an unmotivated stoner whose small-town life with his live-in girlfriend, Phoebe, is suddenly turned upside down. Unbeknownst to him, Mike is actually a highly trained, lethal sleeper agent. In the blink of an eye, as his secret past comes back to haunt him, Mike is thrust into the middle of a deadly government operation and is forced to summon his inner action-hero in order to survive.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Max Greene
ADR Mixer:
Chris Navarro
Additional Editor:
Vincent Tabaillon
Additional First Assistant Camera:
Brad Baker
Additional Still Photographer:
Steve Dietl
Aerial Coordinator:
Cliff Fleming
Cory Fleming
Aerial Director of Photography:
Hans Bjerno
Ager/Dyer:
Darren Manzari
Animation Director:
Gary Leib
Armorer:
Morey Butler
Arthur Kleinpell III
Art Department Assistant:
Stephanie Wittmann
Art Department Coordinator:
Elizabeth Herberg
Art Direction:
Christina Eunji Kim
Michael Barton
Assistant Costume Designer:
Lee Harper
Assistant Editor:
Andreas Fehrle
Alec Styborski
Best Boy Electric:
Brad Garris
Boom Operator:
Steven Huerstel
CG Supervisor:
Dave Zeevalk
Brendan Fitzgerald
Camera Operator:
Greg Morris
Wally Sweeterman
Ian Lynch
Casting:
Jeanne McCarthy
Casting Associate:
Leslie Woo
Co-Producer:
Mark Fasano
Amy Poncher
Peter Cron
Chelsey Pinke
Colorist:
Adrian DeLude
Compositing Supervisor:
Erin W. Nash
Steve J. Sanchez
Construction Coordinator:
Noah Bradley
Costume Coordinator:
Hannah Bollich
Costume Designer:
David C. Robinson
Costume Supervisor:
Linda Gardar
Dailies Manager:
Leeza Diott
Dialogue Editor:
Max Greene
Digital Colorist:
Eliot Milbourn
Digital Effects Producer:
Molly Pabian
Digital Effects Supervisor:
Harimander Singh Khalsa
Digital Intermediate Producer:
Cristina Esterás-Ortiz
Director:
Nima Nourizadeh
Director of Photography:
Michael Bonvillain
Dolly Grip:
Kenneth Coblentz
Draughtsman:
Jessica Alejandra Ochoa
Editor:
Andrew Marcus
Bill Pankow
Electrician:
Bryan Freed
Ted Alderman
Joseph Vasatka
Executive Producer:
Jonathan Gardner
Ray Angelic
Eyal Rimmon
Zülfikar Güzelgün
Steffen Aumueller
Gideon Tadmor
Robert Ogden Barnum
Tom Rock
Buddy Patrick
Stuart Brown
Fight Choreographer:
Robert Alonzo
First Assistant Camera:
Wade Whitley
First Assistant Director:
Lars P. Winther
Eric Fox Hays
Foley Artist:
Shaun Brennan
Gaffer:
Andrew Rogers Clark
Paul Olinde
Graphic Designer:
Tina Charad
Grip:
Rachel Perlis
Gary W. Shaw
Hair Department Head:
Tony Ward
Hairstylist:
Daina Daigle
Helicopter Camera:
Hans Bjerno
Key Grip:
Richard Ball
Key Hair Stylist:
Adam Gaeta
Lighting Technician:
Jonathan Terpstra
Location Manager:
Dana A. Hanby
Makeup Artist:
Paige Reeves
Courtney Lether
Makeup Department Head:
Stacey Panepinto
Makeup Effects:
Yoichi Art Sakamoto
Makeup Effects Designer:
Mike Marino
Music Editor:
Darrell Hall
Annette Kudrak
Music Supervisor:
Randall Poster
Orchestrator:
Mark Baechle
Original Music Composer:
Marcelo Zarvos
Paul Hartnoll
Painter:
Barker White
Greg White
Producer:
Raj Brinder Singh
Britton Rizzio
Anthony Bregman
Kevin Scott Frakes
David Alpert
Production Design:
Richard Bridgland
Production Sound Mixer:
Erik H. Magnus
Property Master:
Brook Yeaton
Propmaker:
Brian S. Freeman
Researcher:
Anna Livia Cullinan
Rigging Gaffer:
Tarik Naim Alherimi
Score Engineer:
Gregory Polzak
Screenplay:
Max Landis
Script Supervisor:
Sam Sullivan
Shelley Dall
Second Assistant Camera:
Griffin McCann
Nancy Piraquive
Second Assistant Director:
Paul B. Uddo
Set Costumer:
Amy Lynch
Alison Parker
Lisa Magee
Set Decoration:
Jon Danniells
Set Decoration Buyer:
Gretchen Gattuso
Lisa Tong
Set Designer:
Spencer Davison
Wright McFarland
Set Dresser:
Joey Kent
Craig Serody
T.D. Antoine
Jonny Bullard
Cydney Tucker
Mark Seiler
Tony Ziegler
Iggie Colomer
Sam Jacobs
Jordan Lightner
Zac Sleeth
Matt Zaff
Sound Effects Editor:
Tom Ryan
Special Effects Coordinator:
Eric Roberts
Donnie Dean
Special Effects Makeup Artist:
Shane Shisheboran
Special Effects Supervisor:
Matt Kutcher
Special Effects Technician:
Robert Benavidez
Jennifer Picard
Shawn Roberts
Steadicam Operator:
Tommy Lohmann
Still Photographer:
Alan Markfield
Storyboard Artist:
Brent Boates
Stunt Coordinator:
Robert Alonzo
Stunt Double:
Ashleigh Dejon
Tim Bell
Jenn A. Harris
Jacob Kabel
Paul O'Connor
Stunts:
Zack Duhame
Joey Box
Kayla Adams
John Bernecker
James Bendishaw
Nicolas Bosc
Chris Brewster
Sean Paul Braud
Jeff Brockton
Dino Dos Santos
Ilram Choi
Nash Edgerton
Quinn Early
Travis Gomez
Regis Harrington
Eyad Elbitar
Isaac Hughes
Michael Jamorski
Greg Rementer
Freddie Poole
Tim J. Smith
Nick Stanner
Matthew R. Staley
Eric VanArsdale
Supervising ADR Editor:
Cate Montana
Supervising Sound Editor:
Lewis Goldstein
Supervisor of Production Resources:
Jason Constantine
Eda Kowan
Title Designer:
Randall Balsmeyer
Travel Coordinator:
Stacy Fortenberry
Unit Production Manager:
Ray Angelic
Robert Ortiz
Utility Stunts:
Shanna Vincent
Visual Effects Coordinator:
Karina Benesh
Liz Christofaro
Kathereena Singh
Janine Conway
Visual Effects Editor:
Jordan Lindblad
Visual Effects Producer:
Rhonda L. Moore
Wendy Garfinkle
Katherine Soares
Visual Effects Supervisor:
Mark Russell
Lucien Harriot
Dan Schrecker
Michael Huber
Bryan Godwin
Ed Mendez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.