A work in constant progress (and occasional regress).
Release Date:
January 16, 1976
Original Title:
La madama
Genres:
Comedy | Crime
Production Companies:
Filmes
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 93
In the slang of the underworld or "mala" there is a special term for cop: "Madama". But if word were to get around that the "Madama" is Vito (Christian De Sica) they might even start to like the guy. Vito is a funny sort of a cop. For a start he doesn't like the uniform (he never wears it). Things might even go smoothly for him, if it weren't for an incredible number of beautiful girls who always manage to get in his way. Especially one girl Angelo (shouldn't that have been Angela? No, the girl's name really is Angelo). Problems arise too, with his direct supervisor, who also happens to be a relative. But Vito puts up with it all and manages to stay his usual calm and polite self, even when he risks getting killed.
Assistant Camera:
Renato Doria
Marco Onorato
Assistant Editor:
Antonio Proia
Assistant Production Design:
Maurizio Garrone
Camera Operator:
Sebastiano Celeste
Conductor:
Roberto Pregadio
Costume Design:
Adele D'Ercole
Dialogue:
Maurizio Costanzo
Director:
Duccio Tessari
Director of Photography:
Giulio Albonico
Editor:
Mario Morra
First Assistant Director:
Marco Risi
Foley Artist:
Roberto Arcangeli
Hairstylist:
Nerea Rosmanit
Makeup Artist:
Raul Ranieri
Novel:
Fabio Pittorru
Massimo Felisatti
Original Music Composer:
Manuel De Sica
Producer:
Giorgio Venturini
Production Design:
Giuseppe Bassan
Production Manager:
Cecilia Bigazzi
Screenplay:
Franco Verucci
Massimo Felisatti
Duccio Tessari
Fabio Pittorru
Script Supervisor:
Vittoria Vigorelli
Sound:
Gaetano Testa
Massimo Iabone
Sound Effects Editor:
Aurelio Pennacchia
Sound Mixer:
Danilo Moroni
Still Photographer:
Carlo Alberto Cocchi
Vittorio Biffani
Unit Manager:
Viero Spadoni
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.