A work in constant progress (and occasional regress).
Release Date:
November 16, 2001
Original Title:
Pendulum
Alternate Titles:
Assassinio nel campus
Im Visier der Angst
Sexe, crimes et pouvoir
Vallan otteessa
Genres:
Crime | Mystery | Thriller
Production Companies:
Blue Thunder Films
On Deck Productions
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 95
The nature and lure of power: in Dallas, a councilman is on trial for corruption, the D.A. is running for the US Senate, a serial killer is slashing prostitutes, and a professor is murdered. Amanda Reeve is assigned to investigate the law-school killing. She hears rumors that the dead man offered women students good grades in exchange for sex. The trail leads her to two wealthy, beautiful students whose alibi is provided by a librarian. At the same time, the cops close in on the slasher. Meanwhile, Amanda misses her former lover, next in line to become D.A., and a reporter is fired for getting close to the truth about the Senate candidate. Is a cover-up or conspiracy in the works?
Boom Operator:
David A. Smith
Casting:
Donise Hardy
Costume Design:
Janet Schwarz
Director:
James D. Deck
Director of Photography:
Bill Schwarz
Editor:
Joe Shugart
Executive Producer:
Charles Acosta
Gaffer:
Vincent Wrenn
Hairstylist:
Lance Hooper
Line Producer:
Beth Jasper
Makeup Artist:
Angelique Bordelon
Original Music Composer:
William Richter
Producer:
Tisha Blood
James D. Deck
Jason Kabolati
Robert Lynden
Production Design:
Reuben Freed
Production Manager:
Beth Jasper
Production Supervisor:
Dee Evans
Sound Re-Recording Mixer:
Jerry Gilbert
Paul Ratajczak
Special Effects:
John Wiggins
Special Effects Coordinator:
Steve Krieger
Stunt Coordinator:
Randy Fife
Stunts:
Lisa Cawthron
Writer:
Jason Kabolati
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.