A work in constant progress (and occasional regress).
Release Date:
February 28, 2014
Original Title:
Scintilla
Alternate Titles:
The Hybrid
Genres:
Science Fiction
Production Companies:
AV Pictures
Forefront Features
Liquid Noise Films
Moviebox
North Light Film Studios
Splice Post
Production Countries:
United Kingdom
Ratings / Certifications:
GB: 18
Runtime: 94
From a torturous cell in Africa, Abel Powell is released and given the chance to regroup his team of skilled mercenaries for one last job. A top scientist will guide them half a mile underground through an ex-Soviet bunker to extract the vital specimens and information being paid for by a mysterious backer, but what they seek should never have been found!
Armorer:
Doug McCarthy
Neil Jenkins
Art Direction:
Melanie Light
Assistant Art Director:
Bethan King
Camera Operator:
Richard Swingle
Casting:
Sam Claypole
Costume Design:
Jon Revell
Costume Supervisor:
Daisy Marcuzzi
Digital Intermediate:
Marie Valentino
Director:
Billy O'Brien
Director of Photography:
G. Magni Ágústsson
Editor:
Steve Mercer
Epk Camera Operator:
James McAleer
First Assistant Director:
Mark Fenn
Gaffer:
Rik Burnell
Location Manager:
David Kellick
Makeup Designer:
Marie Morgan
Makeup Supervisor:
Fiona Lobo-Cranston
Original Music Composer:
Adrian Johnston
Post Production Supervisor:
Jackie Vance
Producer:
Lionel Hicks
Production Design:
Paul Inglis
Prosthetics:
Dan Martin
Pyrotechnician:
Nicholas Thompson
Scenic Artist:
Juliana Roberts
Script Supervisor:
Amy Clarke
Set Decoration:
Celina Norris
Sound Designer:
Rada Danilovic
Sound Re-Recording Mixer:
Phitz Hearne
Special Effects Supervisor:
Scott McIntyre
Stunt Coordinator:
Glenn Marks
Russell MacLeod
Visual Effects Supervisor:
Colin J. Smith
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.