A work in constant progress (and occasional regress).
Release Date:
September 28, 1997
Original Title:
Cloned
Alternate Titles:
A klónok eljövetele
Clonagrem
Cloned - Die Menschenmacher
Geklont - Babys um jeden Preis
Il gemello perfetto
Kloonattu
Laboratoire de clonage
Traits pour traits
Genres:
Drama | Science Fiction | TV Movie | Thriller
Production Companies:
NBC Studios
Sid Feders Productions
Spring Creek Pictures
Production Countries:
Canada
Ratings / Certifications:
DE: 12 US: PG-13
Runtime: 120
In the year 2008, a married couple is distraught over losing their 8 year old son in a boating accident. However, when the mother suddenly sees another child who looks identical to her dead child, the Mother investigates the fertility clinic who aided her with her pregnancy and discovers that they cloned her child in an experiment dubbed "Baby 2000". She also discovers that they still have the genes to develop another child for them and faces the question of whether the couple wants another identical child.
Art Direction:
Randy Chodak
Boom Operator:
Mark Noda
Camera Operator:
Rick Davidson
Casting:
Eileen Mack Knight
Co-Executive Producer:
Sid Feders
Abby Wolf-Weiss
Costume Design:
Tish Monaghan
Director:
Douglas Barr
Director of Photography:
Malcolm Cross
Editor:
Raúl Dávalos
Editorial Production Assistant:
Justin Bourret
Executive Producer:
Paula Weinstein
Foley:
Tommy Goodwin
Gaffer:
Peter G. Capadouca
Hairstylist:
Gina Sherritt
Location Manager:
Ian Overend
Music Editor:
Marty Wereski
Original Music Composer:
Mark Snow
Producer:
Robin Forman
Production Design:
Brent Thomas
Production Sound Mixer:
Gordon Anderson
Script Supervisor:
Terry J. Murray
Set Decoration:
Lesley Beale
Sound Re-Recording Mixer:
Robert L. Harman
Frank Jones
Wayne Artman
Special Effects:
Donald Gillard
Danny Ho
Special Effects Coordinator:
James G. Fisher
Story:
Perri Klass
Carmen Culver
Stunt Coordinator:
J.J. Makaro
Yves Cameron
Stunts:
Lori Stewart
Supervising Sound Editor:
Bob Costanza
Visual Effects Supervisor:
Lee Wilson
Writer:
Carmen Culver
David Taylor
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.