A work in constant progress (and occasional regress).
Release Date:
January 21, 1975
Original Title:
Bilans kwartalny
Alternate Titles:
Quarterly Balance
Genres:
Drama
Production Companies:
Studio Filmowe Tor
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 98
The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.
Assistant Camera:
Piotr Jaxa
Henryk Jedynak
Mieczysław Kozaczyk
Assistant Director:
Witold Holtz
Anna Hrynaszkiewicz
Joanna Krauze
D. Leszczuk
Assistant Editor:
Łucja Ośko
Assistant Production Design:
Janusz Sosnowski
Joanna Lelanow
Conductor:
Konrad Bryzek
Costume Design:
Anna B. Sheppard
Director:
Krzysztof Zanussi
Director of Photography:
Slawomir Idziak
Editor:
Urszula Śliwińska
Makeup Artist:
Anna Lewandowska
Original Music Composer:
Wojciech Kilar
Production Assistant:
Jeremi Maruszewski
Henryk Wloch
Wojciech Plowik
Production Design:
Tadeusz Wybult
Production Manager:
Jerzy Buchwald
Set Decoration:
Wiesława Chojkowska
Sound:
Wiesława Dembińska
Sound Assistant:
Stanisław Nalazek
Still Photographer:
Henryk Wloch
Vocals:
Łucja Prus
Writer:
Krzysztof Zanussi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.