A work in constant progress (and occasional regress).
Featuring:
William Sloane Coffin, N. Paul Stookey, Mary Travers
Written by:
Chris Marker
Directed by:
Chris Marker, François Reichenbach
Release Date:
August 26, 1968
Original Title:
La Sixième Face du Pentagone
Alternate Titles:
La sesta faccia del Pentagono
Pentagons sjätte sida
The Sixth Side of the Pentagon
Genres:
Documentary
Production Companies:
France Opera Film
Les Films de la Pléiade
Societe pour le Lancement des Oeuvres Nouvelles (SLON)
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 28
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there, and made THE SIXTH SIDE OF THE PENTAGON.
Cinematography:
Tony Daval
Christian Odasso
Chris Marker
Director:
Chris Marker
François Reichenbach
Editor:
Carlos de los Llanos
Producer:
Catherine Braunberger
Chris Marker
Pierre Braunberger
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.