A work in constant progress (and occasional regress).
Release Date:
December 14, 1972
Original Title:
Our Miss Fred
Alternate Titles:
Beyond the Call of Duty
Operation: Fred
Genres:
Comedy | War
Production Companies:
EMI
Willis Worldwide Productions
Production Countries:
United Kingdom
Ratings / Certifications:
GB: PG
Runtime: 92
Danny La Rue stars in this 1970s drag comedy as Fred Wimbush, a Shakespearean actor who is drafted into WWII and is appearing in a camp show in France when the Nazis advance. Unless he continues in his female costume, Fred is certain to be shot as a spy. The risque gags and double entendres fly as he attempts to make his escape in the company of a troupe of Girl Guides.
Accountant:
Bobby Blues
Additional Writing:
Terence Feely
Art Direction:
Don Mingaye
Assistant Art Director:
Ken Court
Assistant Director:
Ted Morley
Assistant Makeup Artist:
Eileen Fletcher
Camera Operator:
James Devis
Casting:
G. B. Walker
Conductor:
Peter Greenwell
Construction Manager:
Bill Greene
Continuity:
June Randall
Costume Designer:
Mark Canter
Director:
Bob Kellett
Director of Photography:
Dick Bush
Editor:
David Campling
Electrician:
John Matthews
Executive Producer:
Clifford Parrish
Grip:
Dennis Fraser
Hairdresser:
Gordon Bond
Helen Lennox
Lighting Technician:
Bob Bremner
Location Manager:
Nick Gillott
Makeup Supervisor:
Wally Schneiderman
Music Arranger:
Peter Greenwell
Orchestrator:
Gordon Langford
Original Music Composer:
Peter Greenwell
Presenter:
Nat Cohen
Producer:
Josephine Douglas
Production Accountant:
Bobby Blues
Production Manager:
Christopher Neame
Screenplay:
Hugh Leonard
Sound Editor:
Michael Hopkins
Sound Mixer:
Maurice Askew
Special Effects:
Michael Albrechtsen
Still Photographer:
Douglas Webb
Story:
Ted Willis
Wardrobe Master:
James Smith
Masada Wilmot
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.