A work in constant progress (and occasional regress).
Release Date:
November 20, 2015
Original Title:
Carol
Alternate Titles:
Carol
Carol - Iubire interzisa
Kerol
Kerola
The Price of Salt
Κάρολ
Карол
Каръл
Керол
Кэрол
キャロル
卡罗尔
因為愛你
캐롤
Genres:
Drama | Romance
Production Companies:
Film4 Productions
Killer Films
Number 9 Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AT: 16 BR: 14 CA: R CH: 16|14 DE: 6 DK: 7 ES: 12 FR: 12 GB: 15 IE: 15A IT: T KR: 19 NL: 12 PT: M/14 SE: 15 SG: R21 US: R
Runtime: 118
In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
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"A" Camera Operator:
Craig Haagensen
"B" Camera Operator:
Jeff Barklage
ADR Editor:
Tony Martinez
Art Department Coordinator:
Debbie Stratis
Art Direction:
Jesse Rosenthal
Assistant Costume Designer:
Meghan Corea
Christopher Peterson
Assistant Editor:
Perri Pivovar
Best Boy Electric:
Russ Faust
Boom Operator:
Nigel Maxwell
Casting:
Laura Rosenthal
Co-Producer:
Gwen Bialic
Colorist:
John Dowdell
Construction Coordinator:
Paul Peabody
Construction Foreman:
Francis Link Boysie
Costume Coordinator:
Jenn McLaren
Costume Design:
Sandy Powell
Costume Supervisor:
David Davenport
Dialect Coach:
Kate Wilson
Carla Meyer
Dialogue Editor:
Tony Martinez
Director:
Todd Haynes
Director of Photography:
Edward Lachman
Dolly Grip:
Chris Salamone
Editor:
Affonso Gonçalves
Executive Producer:
Dorothy Berwin
Harvey Weinstein
Danny Perkins
Cate Blanchett
Bob Weinstein
Thorsten Schumacher
Andrew Upton
Tessa Ross
Robert Jolliffe
Extras Casting:
Chenney Chen
First Assistant "A" Camera:
Richard S. Crumrine Jr.
Tom Cherry
First Assistant "B" Camera:
Amy Faust
Alex Esber
First Assistant Director:
Jesse Nye
Foley Editor:
Lidia Tamplenizza
Gaffer:
John W. DeBlau
Greensman:
Eric Johns
Hair Department Head:
Jerry DeCarlo
Hairstylist:
Kay Georgiou
Key Grip:
James McMillan
Key Hair Stylist:
John Jack Curtin
Key Set Costumer:
Martha Smith
Leadman:
Christopher Walters
Bob Smith
Location Casting:
D. Lynn Meyers
Location Manager:
Alan Forbes
Deirdre Costa
Makeup Artist:
Anne Taylor
Jeni Lee Dinkel
Morag Ross
Makeup Department Head:
Patricia Regan
Music Editor:
Todd Kasow
Music Supervisor:
Randall Poster
Novel:
Patricia Highsmith
On Set Dresser:
Kelleigh Miller
Original Music Composer:
Carter Burwell
Post Production Supervisor:
Gretchen McGowan
Producer:
Stephen Woolley
Elizabeth Karlsen
Christine Vachon
Production Accountant:
Shellie Gillespie
Production Coordinator:
Meredith Nunnikhoven
Production Design:
Judy Becker
Production Sound Mixer:
Geoff Maxwell
Prop Maker:
Luke Nye
Property Master:
Joel Weaver
Daniel Fisher
Rigging Gaffer:
Scott Lipez
Rigging Grip:
Lucas Staley
Mike Dickman
Thomas William Vincent
John Zanardelli
Jeff Fisher
Screenplay:
Phyllis Nagy
Script Supervisor:
Belle Francisco
Seamstress:
Christine Lee
Megan McGilvery
Second Assistant "A" Camera:
Christopher Ratledge
Second Assistant Director:
Kyle LeMire
Set Costumer:
Karen Young
Gina Nalli
Set Decoration:
Heather Loeffler
Set Decoration Buyer:
Sarah Young
Set Dresser:
Jon Griffith
Amy Cluxton
Leyna Haller
Hal Carlton-Ford
Thomas Hunt
Timothy Johnson
Vanessa O'Kelley
Christopher Pappas
Gregory Puchalski
Sound Designer:
Leslie Shatz
Sound Re-Recording Mixer:
Leslie Shatz
Special Effects Coordinator:
Kenneth Coulman
Kelly Laufenberg
Special Effects Technician:
Matthew Stratton
Steadicam Operator:
Adam N. White
Kirk R. Gardner
Still Photographer:
Wilson Webb
Supervising ADR Editor:
Eliza Paley
Supervising Dialogue Editor:
Eliza Paley
Supervising Sound Effects Editor:
James David Redding III
Tailor:
Susan Bakula
Thanks:
Kelly Reichardt
Mark Friedberg
Title Designer:
Marlene McCarty
Unit Production Manager:
Gwen Bialic
Karri O'Reilly
Visual Effects:
Erik Werlin
Visual Effects Producer:
Allison Paul
Chris Haney
Visual Effects Supervisor:
Edson Williams
Chris Haney
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.