A work in constant progress (and occasional regress).
Release Date:
March 5, 1999
Original Title:
Manos de seda
Genres:
Thriller
Production Companies:
Audiovisuales Nebli
Dexiderius Producciones Audiovisuales S.L.
Production Countries:
Spain
Ratings / Certifications:
N/A
Assistant Camera:
Saturnino Beltrán
Assistant Director:
Carlos Esteban
Assistant Editor:
Gaëlle Pidoux
Assistant Makeup Artist:
Lucía Orengo
Assistant Production Manager:
Elena Orengo
Pilar Pérez
Boom Operator:
Fabio Huete
Antonio «Mármol» Rodríguez
Camera Operator:
Tito Carlón
Costume Design:
Asun Arretxe
Eva Arretxe
Director:
César Martínez Herrada
Director of Photography:
Ángel Luis Fernández
Dolby Consultant:
Jaume Puig
Editor:
Luis Villar
Electrician:
José Vicente Salvador
Jorge Villafáñez
Executive Producer:
Bruno Estrada
Carlos Orengo
Gaffer:
Jesús Villafáñez
Hairstylist:
Martha Marín
Key Grip:
Carlos López
Makeup Artist:
Gloria Pinar
Music:
Javier López de Guereña
Production Manager:
Tino Pont
Production Secretary:
Sonia García
Production Trainee:
Alicia Allepoz
Nicolás Tapia
Property Master:
Nano Montero
Manuel Martínez
Props:
Hagen Schwarz
Screenplay:
Pedro García Ríos
Script Supervisor:
José Luis Cubillo Fernández
Second Assistant Camera:
José Carlos Sabán
Second Assistant Director:
Emma Beltrán
Javier Petit
Set Decoration:
Luis Ramírez
Charly Alba
Sound:
Jaime Barros
Sound Editor:
Óscar Barros
Sound Effects Editor:
Luis Castro
Sound Mixer:
Alfonso Pino
Alfonso Raposo
Sound Recordist:
Coque F. Lahera
Special Effects:
Reyes Abades
Steadicam Operator:
Joaquín Manchado
Still Photographer:
Rolando Cardeñoso
Title Designer:
José Luis Blanco
Visual Effects:
Carlos J. Santos
Wardrobe Master:
Asun Arretxe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.