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Danny Collins (2015) [R]

Release Date:
March 19, 2015

Original Title:
Danny Collins

Alternate Titles:
Directo al corazón
Imagine
Imagined
Nunca es tarde
Второй Шанс
Другий шанс
대니 콜린스

Genres:
Comedy | Drama | Music

Production Companies:
Big Indie Pictures
Handwritten Films
Shivhans Pictures

Production Countries:
United States of America

Ratings / Certifications:
BR: e 16  CA: R  DE: 12  DK: 15  GB: 15  GR: 16  IE: 15  IL: הותר לבני 12 ומעלה  JP: PG12  MX: C  NL: 12  PT: M/14  RU: 18+  SE: 15  TH: 18  US: R 

Runtime: 107

A letter from John Lennon changed his life

Overview from TheMovieDB

An ageing hard-living 1970s rock star decides to change his life when he discovers a 40-year-old undelivered letter written to him by John Lennon.

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Additional information:

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Video

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Trailer

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Performers

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Production

Additional Second Assistant Director:
Sylwia K. Dudzinska
Lynne Martin
Dennis Burrell

Art Department Coordinator:
Kama Hayes

Art Direction:
Christopher Brown

Assistant Art Director:
Erin Magill
Andrew Hull

Assistant Costume Designer:
Whitney Galitz

Camera Operator:
Robert C. Carlson
Dale Myrand
Peter Gulla
Henry Tirl

Casting:
Mindy Marin

Casting Associate:
Kara Lipson

Casting Director:
Lilia Trapani

Costume Design:
Sophie de Rakoff

Costume Supervisor:
David Swope

Director:
Dan Fogelman

Director of Photography:
Steve Yedlin

Editor:
Julie Monroe

Executive Producer:
Declan Baldwin
Monica Levinson
Denise Di Novi
Shivani Rawat

First Assistant Director:
Betsy Magruder

First Assistant Editor:
Carlos Castillon

Graphic Designer:
Evan Regester

Hair Department Head:
Patricia Almeida

Hairstylist:
Peter Tothpal

Key Costumer:
Jason M. Moore

Key Hair Stylist:
Robert Wilson

Key Makeup Artist:
Cheryl Ann Nick

Makeup Artist:
Deborah La Mia Denaver
Julie Hewett
Cheryl Ann Nick

Makeup Department Head:
Bill Corso

Music:
Ryan Adams

Music Supervisor:
Matt Sullivan
Julia Michels
Julianne Jordan

Original Music Composer:
Theodore Shapiro

Post Production Supervisor:
Nancy Kirhoffer

Producer:
Nimitt Mankad
Jessie Nelson

Production Design:
Dan Bishop

Production Supervisor:
Jamie D. Boscardin

Screenplay:
Dan Fogelman

Script Supervisor:
Jayne-Ann Tenggren

Second Assistant Director:
Jody Spilkoman

Second Second Assistant Director:
Jason Roberts
Lynn Struiksma
Paul Schmitz

Second Unit Director of Photography:
Christopher Blauvelt

Second Unit First Assistant Director:
Bac DeLorme
Dale Stern

Set Costumer:
Roberta Bilé
Amber Jordyn

Set Decoration:
Jefferson Murff
Claudette Didul

Set Dresser:
Bart C. Hubenthal
Johnny Lieberman
Jose Castillo
Charles Randolph
Hugh Pritchard
Armando Alvarado

Sound Designer:
Scott Sanders

Sound Editor:
Kevin Zimmerman

Sound Mixer:
Scott Harber

Sound Re-Recording Mixer:
Kaspar Hugentobler
John Ross

Special Effects Coordinator:
Kevin Hannigan
Anthony Simonaitis

Stunt Coordinator:
Alex Daniels

Supervising Sound Editor:
Perry Robertson

Unit Production Manager:
Monica Levinson

Visual Effects Producer:
Angela Bowen

Visual Effects Supervisor:
Nick Crist
David Gaddie

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.