A work in constant progress (and occasional regress).
Release Date:
January 23, 1998
Original Title:
Sus ojos se cerraron y el mundo sigue andando
Alternate Titles:
Tango kahdelle
Genres:
Drama | Music | Romance
Production Companies:
Aleph Producciones S.A.
Atresmedia
Aurum Producciones
Buena Vista International
INCAA
Instituto de la Cinematografía y de las Artes Audiovisuales
Lider Films
Patagonik
Rocabruno S.A.
Telefe
Production Countries:
Argentina | Spain
Ratings / Certifications:
N/A
Runtime: 93
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
Additional Writing:
Jaime Chávarri
José María Paolantonio
Administration:
Roberto Horbal
Art Designer:
Marcela Bazzano
Daniel Feijoó
Assistant Director Trainee:
Octavio Facello
Assistant Editor:
Blanca Rodríguez
Ascen Marchena
Jorge Firdman
Assistant Makeup Artist:
Jorge Rovera
Assistant Set Decoration:
Adriana Maestri
Assistant Set Dresser:
Omar Duca
María Bellora
Boom Operator:
Pedro Marra
Camera Operator:
Federico Maximiliano Serafín
Casting:
Jorge Yías
Costume Assistant:
Flavia Gaitán
Susana Méndez Montenegro
Costume Design:
Julia González
Julio Salinas
Decorator:
Daniel Feijoó
Delegated Producer:
José M. Garasino
Mirta Reyes
Patricia Baños
Director:
Jaime Chávarri
Director of Photography:
Carles Gusi
Dolby Consultant:
Jaume Puig
Editor:
Pedro del Rey
Electrician:
Daniel Ianatempo
Jorge Lynch
Executive Producer:
Andrés Vicente Gómez
Ricardo Wullicher
Pablo E. Bossi
First Assistant Director:
Gustavo Wagner
Focus Puller:
Fernando Viñuela
Gaffer:
Gustavo Ungaro
Grip:
Luis Colaso
Hair Supervisor:
Ricardo Fasán
Idea:
Raúl Brambilla
Óscar Plasencia
Lighting Coordinator:
Carlos Saavedra
Makeup Designer:
Óscar Mulet
Music:
Luis María Serra
Production Assistant:
Nacho Rodríguez Marín
Cecilia Bossi
Norberto Ponelli
Production Manager:
Marina Valentini
Maricel Lozano
Production Trainee:
Sebastián Arzeno
Laura Kuschnir
Script:
Aldo Romero
Second Assistant Camera:
Diego Worel
Second Assistant Director:
Carina Sama
Set Decoration:
Marcela Bazzano
Songs:
Rodolfo Mederos
Sound Director:
Abelardo Kuschnir
Sound Mixer:
Alfonso Pino
Still Photographer:
Graciela Portela
Thanks:
Beto Acevedo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.