A work in constant progress (and occasional regress).
Featuring:
Stefano Bellotti, Elena Pantaleoni, Giovanna Tiezzi
Directed by:
Jonathan Nossiter
Release Date:
February 18, 2014
Original Title:
Natural Resistance
Alternate Titles:
RĂ©sistance naturelle
Genres:
Documentary
Production Companies:
Goatworks Films
Les Films Du Rat
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Runtime: 82
Ten years after Mondovino, his analysis of the increasingly standardised wine production in France, wine expert Jonathan Nossiter picks up the thread again and shows what it means to be rooted in the soil you're working on. During walks through the vineyards and relaxed gatherings with a group of alternative Italian wine growers, he trades experiences and arguments. What looks like a bucolic paradise, where intelligent people produce wine according to time-honoured and organic methods, is actually revealed to be a battleground. The DOC association, which is supposed to look after the interest of independent vintners, promotes winemakers who produce vast amounts in a standardised quality; and the agricultural industry with its hygiene regulations excludes traditional methods of production. The only thing saving the landscape from being totally destroyed is affluent foreigners using the old vineyards as summer holiday homes.
Ten years after the landmark wine documentary Mondovino, filmmaker Jonathan Nossiter returns to the subject, documenting the drastic shifts that have affected the industry in the time since. This time, the threat is no longer globalization, but an individual society. Natural Resistance follows four Italian winegrowers who live the life we all dream of: Giovanna Tiezzi lives in a converted 11th century monastery, and grow grains, fruit, and wine in a way that links to their ancient heritage. Corrado Dottori is a refugee from industrial Milan, who inherited his grandfather's farmstead and tends to it as an expression of agricultural social justice. Elena Pantaleoni works her father's vineyards and strives to create a utopian reality. Finally Stefano Belloti, the controversial radical farmer poet, disrupts the long established rules of farming from his avant-garde property in the Piedmont. Each of these farmers have encountered a fierce resistance as they struggle to make their dreams of a natural, sustainable, and ecologically just winemaking industry a reality. But these natural winemakers stand up against the "New World Economic Order" to offer a model of charmed and joyous resistance, hoping to stir the hidden rebel in all of us.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Director:
Jonathan Nossiter
Director of Photography:
Jonathan Nossiter
Paula Prandini
Producer:
Jonathan Nossiter
Gianluca Farinelli
Paula Prandini
Santiago Amigorena
Giacomo Rossi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.