A work in constant progress (and occasional regress).
Release Date:
November 18, 1981
Original Title:
Die Berührte
Genres:
Drama
Production Companies:
Helma Sanders-Brahms Filmproduktion
Mainline
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 103
Doctors say that Veronika, a woman in her 20s, is schizophrenic. She is compliant, which makes her an easy target for men. She's religious, believing she is God's favorite child; she searches for Jesus. She has sent a letter to a filmmaker suggesting her life as the subject for a movie. We see her raped then take up with a series of men she believes are Jesus, each willing or insistent on sex. A young man with his own crisis of faith invites her to join a cult. We see her involuntarily committed to an asylum from time to time where medication and constraints await. Her wealthy parents are helpless. Will a medical professional ever talk to her? If one did, would it help?
Assistant Camera:
Fritz Poppenberg
Assistant Director:
Christa Ritter
Assistant Editor:
Hanni Lawerenz
Bettina Böhler
Business Affairs Coordinator:
Helma Sanders-Brahms
Construction Foreman:
Jürgen H. Bäcker
Costume Design:
Helma Sanders-Brahms
Director:
Helma Sanders-Brahms
Director of Photography:
Thomas Mauch
Editor:
Ursula West
Lighting Design:
Ralf Lotzin
Makeup Artist:
Helma Sanders-Brahms
Music:
Harald Großkopf
Manfred Opitz
Producer:
Helma Sanders-Brahms
Production Manager:
Jürgen H. Bäcker
Property Master:
Helma Sanders-Brahms
Script Supervisor:
Rolf Kastin
Set Decoration:
Helma Sanders-Brahms
Sound:
Margit Eschenbach
Sound Assistant:
Ebba Jahn
Sound Mixer:
Hans-Dieter Schwarz
Still Photographer:
Bettina Böhler
Hanni Lawerenz
Rolf Kastin
Writer:
Helma Sanders-Brahms
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.