A work in constant progress (and occasional regress).
Release Date:
March 21, 1992
Original Title:
Triple Bogey On A Par Five Hole
Genres:
Comedy
Production Companies:
Fisher Klingenstein Films
Island World
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 88
The Levys, a glamorous couple, used to make their living robbing golfers, until they met their fatal handicap. Years later, scriptwriter Remy Gravelle decides to observe the Levy progeny as they sail endlessly round Manhattan in their luxury yacht.
Art Direction:
Noemi Di Corcia
Assistant Costume Designer:
Charlotte Yetman
Assistant Director:
Dolly Hall
Assistant Editor:
Zeborah Tidwell
Assistant Sound Editor:
Stuart Goldstein
Associate Producer:
Alexandra Poe
Bettina Gilois
Boom Operator:
Mark Paperno
Camera Operator:
Flavio Donat
Casting:
Ellen Parks
Co-Producer:
Dolly Hall
Costume Designer:
Ann R. Emo
Director:
Amos Poe
Director of Photography:
Joe DeSalvo
Editor:
Dana Congdon
Editorial Consultant:
Reggie Gee Moto
Executive In Charge Of Production:
Pamela H. Osowski
First Assistant Camera:
Tami Reiker
Gaffer:
Michael Berg
Key Grip:
Jasper L. Johnson III
Line Producer:
Benjamin Gruberg
Makeup & Hair:
Amador Vega
Original Music Composer:
Mader
Chic Streetman
Anna Domino
Michel Delory
Post Production Supervisor:
Dolly Hall
Producer:
Amos Poe
Production Accountant:
Maureen Dougherty
Production Designer:
Jocelyne Beaudoin
Production Manager:
Benjamin Gruberg
Production Office Coordinator:
Deering Rose
Script Supervisor:
Susan Emerling
Second Assistant Camera:
David C. Lawson
Second Assistant Director:
John Thorpe
Set Dresser:
Ed Check
Eva Remmert
Sound Editor:
Eliza Paley
Sound Recordist:
Thomas Szabolcs
Still Photographer:
Michael Tighe
Chiara Clemente
Writer:
Amos Poe
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.