A work in constant progress (and occasional regress).
Release Date:
March 3, 2000
Original Title:
Drowning Mona
Alternate Titles:
Der Fall Mona – Mordfall, Unfall oder Glücksfall?
Quién no mató a Mona
Утопим Мону
Genres:
Comedy | Crime | Mystery
Production Companies:
Code Entertainment
Neverland Films
Production Countries:
United States of America
Ratings / Certifications:
CZ: U DE: 12 FR: U US: PG-13
Runtime: 96
The recently deceased Mona Dearly was many things: an abusive wife, a domineering mother, a loud-mouthed neighbor and a violent malcontent. So when her car and corpse are discovered in the Hudson River, police Chief Wyatt Rash immediately suspects murder rather than an accident. But, since the whole community of Verplanck, N.Y., shares a deep hatred for this unceasingly spiteful woman, Rash finds his murder investigation overwhelmed with potential suspects.
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"A" Camera Operator:
William Webb
ADR Mixer:
Mark McBryde
Jamie Baker
ADR Supervisor:
Mary Ruth Smith
Additional Sound Re-Recording Mixer:
Patrick Giraudi
Assistant Production Coordinator:
Erin Borel
Associate Editor:
Jeff Kushner
Best Boy Grip:
Rocky Ford
Boom Operator:
Lawrence L. Commans
Casting:
Monika Mikkelsen
Casting Assistant:
Leah Buono
Compositing Supervisor:
Michael Adkisson
Costume Design:
Terry Dresbach
Dialect Coach:
Robert Easton
Dialogue Editor:
David E. Stone
Mary Andrews
Director:
Nick Gomez
Director of Photography:
Bruce Douglas Johnson
Dolby Consultant:
Bryan Pennington
Editor:
Richard Pearson
Executive Producer:
Danny DeVito
Michael Shamberg
Stacey Sher
Jonathan Weisgal
First Assistant Director:
John M. Nelson
Foley Artist:
Ken Dufva
David Lee Fein
Foley Editor:
Christopher Flick
Foley Recordist:
Marty Church
Gaffer:
Steve Belsky
Hair Department Head:
Audrey Futterman-Stern
Key Costumer:
Bega Metzner
Key Grip:
David A. Santos
Key Hair Stylist:
Thomas Opitz
Leadman:
Nya Patrinos
Location Manager:
George Herthel
Makeup Artist:
Angela Johnson
Denise Pugh-Ruiz
Makeup Department Head:
Carol Strong
Music Editor:
Terry Delsing
Bunny Andrews
Negative Cutter:
Mo Henry
Original Music Composer:
Michael Tavera
Payroll Accountant:
Mylan Stepanovich
Post Production Supervisor:
Spike Allison Hooper
Producer:
Bart Rosenblatt
Eugene Musso
Al Corley
Production Accountant:
Marsha L. Swinton
Production Coordinator:
Jimmy Holcomb
Production Design:
Richard Toyon
Production Manager:
Bart Rosenblatt
Production Sound Mixer:
Mark Weingarten
Production Supervisor:
Douglas Jones
Property Master:
Scott Buckwald
Rotoscoping Artist:
Adam Stern
Scoring Mixer:
Scott Cochran
Script Supervisor:
Patti Dalzell
Second Assistant Director:
Wendi Lampassi
Second Second Assistant Director:
Stacey Holmes
Second Unit Director of Photography:
Bengt Jonsson
Set Decoration:
Karen Agresti
Set Designer:
Betty Krul
Set Medic:
David Falicki
Sound Designer:
Jeff Kushner
Sound Effects Editor:
Donald Flick
Evan T. Chen
Sound Re-Recording Mixer:
Jeffrey Perkins
Samuel Lehmer
Sound Recordist:
Ryan Murphy
Special Effects:
John C. Hartigan
Special Effects Coordinator:
David Waine
Special Effects Makeup Artist:
Thomas R. Burman
Bari Dreiband-Burman
Steadicam Operator:
William Webb
Still Photographer:
Peter Sorel
Storyboard Artist:
Andrea Dietrich
Studio Teacher:
Jim Hartz
Wendy Wilhite Chatley
Maura Gannett
Stunt Coordinator:
Cindy Folkerson
Stunt Double:
Jeff Smolek
Dane Farwell
Randall Huber
Kent W. Luttrell
Brian J. Williams
Cindy Folkerson
Stunt Driver:
Brian Maynard
Supervising Sound Editor:
Jeff Kushner
Transportation Captain:
Jimmie K. Turner
Transportation Coordinator:
John W. Barbee
Unit Publicist:
Michael Klastorin
Visual Effects Supervisor:
Bruce Douglas Johnson
Wardrobe Supervisor:
Pie Lombardi
Writer:
Peter Steinfeld
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.