A work in constant progress (and occasional regress).
Release Date:
September 14, 1967
Original Title:
Our Mother's House
Alternate Titles:
A las nueve, cada noche
Chaque soir à neuf heures
Jede Nacht um neun
Tutte le sere alle nove
Genres:
Drama | Thriller
Production Companies:
Filmways Pictures
Heron Film Productions
Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer British Studios
Production Countries:
United Kingdom
Ratings / Certifications:
GB: 15 US: NR
Runtime: 105
Seven British children bury their mother and hide her death, until their long-lost father returns.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Reece Pemberton
Assistant Camera:
David MacDonald
Ken Goodman
Assistant Director:
Claude Watson
Assistant Editor:
Rex Pyke
Assistant Sound Editor:
Hazel Harste
Associate Producer:
Roy Baird
Boom Operator:
John Salter
Camera Operator:
Dennis C. Lewiston
Construction Manager:
Terry Apsey
Continuity:
Pamela Davies
Director:
Jack Clayton
Director of Photography:
Larry Pizer
Editor:
Tom Priestley
Executive Producer:
Martin Ransohoff
Grip:
Dick Savory
Hairdresser:
Olga Angelinetta
Makeup Artist:
Bill Lodge
Musician:
Peter Katin
Novel:
Julian Gloag
Original Music Composer:
Georges Delerue
Producer:
Jack Clayton
Production Controller:
Harry Benn
Screenplay:
Jeremy Brooks
Haya Harareet
Script Editor:
Jeanie Sims
Second Assistant Director:
Grania O'Shannon
Set Decoration:
Ian Whittaker
Sound Editor:
Terry Rawlings
Sound Recordist:
Ken Ritchie
Wardrobe Designer:
Sue Yelland
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.