A work in constant progress (and occasional regress).
Featuring:
Tilda Swinton, Goran Visnjic, Jonathan Tucker
Written by:
Elisabeth Sanxay Holding
Scott McGehee
David Siegel
Directed by:
Scott McGehee, David Siegel
Release Date:
January 21, 2001
Original Title:
The Deep End
Alternate Titles:
Bleu profond
The Deep End - Trügerische Stille
午夜摇篮曲
暗夜摇篮曲
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
Fox Searchlight Pictures
i5 Films
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 CH: 12 CZ: 15+ DE: 16 GB: 15 IE: 15 JP: G US: R
Runtime: 101
With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?
With her husband perpetually away at work, a mother raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Internet Movie Database | 6.5/10 |
---|---|
Rotten Tomatoes | 82% |
Metacritic | 78/100 |
Awards Won: | 4 wins & 19 nominations total |
ADR Mixer:
Christina Tucker
Additional Photography:
Warren Feldman
Assistant Art Director:
Christina Ann Wilson
Assistant Sound Editor:
Chris Gridley
Best Boy Electric:
Tim Durr
Camera Operator:
Paige Thomas
Casting:
Mindy Marin
Casting Associate:
Amanda Harding
Costume Design:
Sabrina Rosen
Dialect Coach:
Julie Adams
Digital Colorist:
Mel Kangleon
Digital Compositor:
Chris Trimble
Director:
David Siegel
Scott McGehee
Director of Photography:
Giles Nuttgens
Dolby Consultant:
Thom 'Coach' Ehle
Dolly Grip:
Paul Meehan
Editor:
Lauren Zuckerman
First Assistant Camera:
Paige Thomas
Foley Artist:
Marnie Moore
Margie O'Malley
Foley Editor:
Patti Tauscher
Foley Mixer:
Frank Rinella
Foley Recordist:
Mike Anderson
Gaffer:
Louis DiCesare
Hairdresser:
Katrina Chevalier
Key Grip:
Michael Pizzuto
Key Makeup Artist:
Raqueli Dahan
Music Editor:
Missy Cohen
Novel:
Elisabeth Sanxay Holding
Original Music Composer:
Peter Nashel
Pilot:
Robert 'Bobby Z' Zajonc
Producer:
David Siegel
Scott McGehee
Production Design:
Kelly McGehee
Christopher Tandon
Production Manager:
Beth DePatie
Property Master:
Ellen Freund
Script Supervisor:
Rebecca Fulton
Second Assistant Camera:
Warren Feldman
Second Assistant Director:
Craig Borden
Second Unit Director of Photography:
Rob Sweeney
Set Decoration:
Nancy Wenz
Sound Effects Editor:
Piotr Filipowski
Aura Gilge
Sound Mixer:
Robert Eber
Sound Re-Recording Mixer:
David Parker
Special Effects:
Lou Carlucci
Still Photographer:
Jim Sheldon
Studio Teacher:
Linda Stanley
Stunt Coordinator:
Ben Jensen
Dale Gibson
Supervising Sound Editor:
David Franklin Bergad
John Nutt
Utility Stunts:
Peter Epstein
Ethan Jensen
Robert Jauregui
Visual Effects Producer:
Jason Heapy
Visual Effects Supervisor:
Richard Chuang
Writer:
Scott McGehee
David Siegel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.