A work in constant progress (and occasional regress).
Release Date:
May 24, 1961
Original Title:
Two Loves
Alternate Titles:
Anna et les Maoris
Der Fehltritt
Dos amores
Dvě lásky
Dwie miłości
I'll Save My Love
Két szerelem
Salverò il mio amore
The Spinster
Две любви
Genres:
Drama
Production Companies:
Julian Blaustein Productions Ltd.
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 100
American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.
Art Direction:
Urie McCleary
George W. Davis
Assistant Camera:
George K. Hollister
Assistant Director:
William Shanks
Assistant Editor:
William McMillin
Boom Operator:
Jerry Jost
Camera Operator:
William Norton
Casting:
Leonard Murphy
Conductor:
Robert Armbruster
Costume Design:
Helen Rose
Director:
Charles Walters
Director of Photography:
Joseph Ruttenberg
Editor:
Fredric Steinkamp
Gaffer:
Wes Shanks
Grip:
Howard Bradner
Hairstylist:
Mary Keats
Makeup Artist:
William Tuttle
Charles H. Schram
Novel:
Sylvia Ashton-Warner
Original Music Composer:
Bronislau Kaper
Other:
Charles K. Hagedon
Producer:
Julian Blaustein
Recording Supervision:
Franklin Milton
Screenplay:
Ben Maddow
Script Supervisor:
Cleo Anton
Second Assistant Director:
Ronald Florance
Set Decoration:
Henry Grace
Hugh Hunt
Sound Mixer:
Conrad Kahn
Special Effects:
Lee LeBlanc
Robert R. Hoag
Still Photographer:
Virgil Apger
Unit Manager:
Dave Friedman
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.