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Time After Time (1979) [PG]

Release Date:
September 28, 1979

Original Title:
Time After Time

Alternate Titles:
L'uomo venuto dall'impossibile
Um Século em 43 Minutos
Путешествие в машине времени
Эпоха за эпохой

Genres:
Adventure | Comedy | Drama | Science Fiction | Thriller

Production Companies:
Orion Pictures
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  DK: 15  GB: PG  JP: G  US: PG 

Runtime: 112

H.G. Wells Races Through Time To Catch Jack The Ripper!

Overview from TheMovieDB

Writer H. G. Wells pursues Jack the Ripper to modern day San Francisco after the infamous serial killer steals his time machine to escape the 19th century. Imagine! A scientific genius named H. G. Wells stalks a criminal genius named Jack the Ripper across time itself in the most ingenious thriller of our time.

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Performers

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Production

Associate Producer:
Steven-Charles Jaffe

Boom Operator:
Joseph Kite

Camera Operator:
Timothy E. Wade

Casting:
Dianne Crittenden

Director:
Nicholas Meyer

Director of Photography:
Paul Lohmann

Editor:
Donn Cambern

Gaffer:
J. Michael Marlett

Hairstylist:
Dione Taylor

Makeup Artist:
Lynn F. Reynolds

Original Music Composer:
Miklós Rózsa

Producer:
Herb Jaffe

Production Design:
Edward C. Carfagno

Screenplay:
Nicholas Meyer

Script Supervisor:
Kathy Thomas

Second Assistant Camera:
Ron Frantzvog

Set Decoration:
Barbara Krieger

Sound:
Jerry Jost

Sound Effects Editor:
Jay Wertz
Colin Waddy

Sound Re-Recording Mixer:
Arthur Piantadosi
Les Fresholtz
Michael Minkler

Still Photographer:
Peter Sorel

Story:
Karl Alexander
Steve Hayes

Stunt Coordinator:
Everett Creach

Supervising Sound Editor:
Michael Colgan

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.