A work in constant progress (and occasional regress).
Release Date:
October 6, 2000
Original Title:
Bamboozled
Alternate Titles:
The very black show
Genres:
Comedy | Drama
Production Companies:
40 Acres and a Mule Filmworks
New Line Cinema
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 US: R
Runtime: 136
Frustrated when network brass reject his sitcom idea, producer Pierre Delacroix pitches the worst idea he can think of in an attempt to get fired: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Christopher Norr
"B" Camera Operator:
Christopher Hall
Art Direction:
Harry Darrow
Associate Producer:
Kisha Imani Cameron
Casting:
Aisha Coley
Choreographer:
Savion Glover
Costume Design:
Ruth E. Carter
Director:
Spike Lee
Director of Photography:
Ellen Kuras
Editor:
Sam Pollard
First Assistant Director:
Mike Ellis
Foley Artist:
Marko Costanzo
Foley Editor:
Kam Chan
Foley Recordist:
George A. Lara
Foley Supervisor:
Frank Kern
Gaffer:
John G. Velez
Hairstylist:
Dale Brownell
Key Hair Stylist:
Nathan J. Busch II
Key Makeup Artist:
Ellie Winslow
Makeup Supervisor:
Patrice Coleman
Music Supervisor:
Alex Steyermark
Musician:
Brice Winston
Original Music Composer:
Terence Blanchard
Production Design:
Victor Kempster
Researcher:
Judy Aley
Screenplay:
Spike Lee
Set Decoration:
Ford Wheeler
Sound Effects Editor:
Blake Leyh
Glenfield Payne
Sound Mixer:
Rolf Pardula
Sound Re-Recording Mixer:
Tom Fleischman
Stunt Coordinator:
Manny Siverio
Stunts:
Roy Farfel
Supervising Sound Editor:
Philip Stockton
Thanks:
Eileen Ahearn
Title Designer:
Randall Balsmeyer
Visual Effects Design Consultant:
Michael Ray Charles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.