A work in constant progress (and occasional regress).
Release Date:
April 22, 2015
Original Title:
She's Funny That Way
Alternate Titles:
Broadway Therapy
Enredos en Broadway
Squirrels to the Nuts
Um Amor a Cada Esquina
Μπερδέματα Στο Broadway
マイ・ファニー・レディ
百老汇风流记
風月笑膠人
Genres:
Comedy | Romance
Production Companies:
Grindstone Entertainment Group
Holly Wiersma Productions
Lagniappe Films
Lailaps Pictures
Lionsgate Premiere
TPC
Venture Forth
Production Countries:
Germany | United States of America
Ratings / Certifications:
AU: M BE: 9 BR: 12 CZ: 15+ DK: 11 HU: 12 IE: 12 IT: T LT: N-13 NL: 12 RU: 16+ SE: 15 SK: 12 US: R
Runtime: 93
On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.
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ADR Editor:
Dan Korintus
ADR Mixer:
Bobby Johanson
ADR Recordist:
Michael Rivera
Additional Editing:
Greg Tillman
Additional Photography:
Nathan Levine-Heaney
Art Direction:
Ryan Heck
Assistant Costume Designer:
Danielle Burakovsky
Assistant Editor:
Sandra Torres Granovsky
Ken Scribner
Gina Zappala
Assistant Location Manager:
Greg Morrison
Alex Starke
Assistant Production Coordinator:
Ashleigh Tucker
Assistant Property Master:
Tim Linden
Maria Sylvania
Associate Producer:
Brandon Park
Colleen Camp
Chris Cuseo
Boom Operator:
Vince Reed Camuto
Camera Operator:
Dave Isern
Casting:
Jen Rudin
Casting Assistant:
Adam Jamebozorgi
Casting Associate:
Bess Fifer
Co-Executive Producer:
Carrie Menke
Antonia Bogdanovich
Rodney Baty
Darin Dusan
Co-Producer:
Michael Sledd
Parry Creedon
Costume Assistant:
Bryan Gilmore
Costume Designer:
Peggy A. Schnitzer
Dialogue Editor:
Sylvia Menno
David Wahnon
Digital Imaging Technician:
Tiffany Armour-Tejada
Director:
Peter Bogdanovich
Director of Photography:
Yaron Orbach
Editor:
Pax Wassermann
Nick Moore
Executive Producer:
Andy Neuberger
Jeff Rice
Lati Grobman
Nils Dünker
Brice Sanderford
Cassian Elwes
Charles Caplinger
Robert Ogden Barnum
Josef Steinberger
Jacob Pechenik
Christa Campbell
Wes Anderson
Captain Mauzner
Noah Baumbach
Najeeb Thomas
George J. Steiner Jr.
Extras Casting:
Stephanie DeCourcey
First Assistant Camera:
Scott Tinsley
First Assistant Director:
Mariela Comitini
First Assistant Editor:
Dylan Correll
Foley:
George A. Lara
Foley Artist:
Ryan Collison
Hair Department Head:
Vanessa Heshima Sims
Hairstylist:
Linda D. Flowers
Key Hair Stylist:
John Roberson
Key Makeup Artist:
Paul Molnar
Leadman:
T.J. Horan
Location Manager:
Jeff Caron
Makeup Artist:
Angela Levin
Makeup Department Head:
Barbara Lacy
Music Editor:
Missy Cohen
Music Supervisor:
Robin Urdang
Original Music Composer:
Edward Shearmur
Post Production Coordinator:
Tara Carrozza
Jason Fournet
Post Production Supervisor:
Jonathan Ferrantelli
Producer:
Logan Levy
Holly Wiersma
George Drakoulias
Louise Stratten
Production Consultant:
Lauren Bratman
Production Coordinator:
Greg Outcalt
Production Design:
Jane Musky
Property Master:
Jennifer Santucci
Script Supervisor:
Jean-Paul Chreky
Second Assistant Camera:
Nicole Cosgrove
Second Assistant Director:
Brad Robinson
Second Second Assistant Director:
Steven Lafferty
Set Costumer:
Angie Zeigler
Keia Thompson
Joey Armon
Set Decoration:
Jonathan Rose
Set Dresser:
John Scalzi
Derrick Demeskey
Gerrard McMorrow
Sound Mixer:
Damian Canelos
Sound Re-Recording Mixer:
Robert Fernandez
Steadicam Operator:
Dave Isern
Still Photographer:
K.C. Bailey
Stunt Coordinator:
Manny Siverio
Elliot Santiago
Supervising Sound Editor:
Robert Hein
Title Designer:
Chris Cuseo
Unit Production Manager:
Michael Sledd
Parry Creedon
Visual Effects Compositor:
Matthew T. Perry
Victoria Penzes
Austin Meyers
Henry Jean
Jonathan Skabla
Chad Sikora
Melissa Peralta
Christopher Hayes
Visual Effects Producer:
Charlotta Forssman
Aniela Sidorska
Visual Effects Supervisor:
Luke DiTommaso
Wardrobe Supervisor:
Sonja Cizmazia
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.