A work in constant progress (and occasional regress).
Release Date:
October 19, 1984
Original Title:
The Razor's Edge
Alternate Titles:
El filo de la navaja
Genres:
Drama
Production Companies:
Columbia Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 DE: 12 JP: R18+ NL: 12 US: PG-13
Runtime: 129
An American WWI vet undertakes a spiritual quest that takes him from Paris to Nepal to the Himalayas and back to his hometown. Upon his return, he discovers he is not the only one who has changed.
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Art Direction:
Malcolm Middleton
Assistant Costume Designer:
Linda Burtenshaw
Assistant Director:
Ray Corbett
Assistant Editor:
Dennis McTaggart
Associate Producer:
Jason Laskay
Best Boy Electric:
Brian Smith
Camera Operator:
Dewi Humphreys
Casting Director:
Maude Spector
Jennifer Shull
Conductor:
Stanley Black
Construction Manager:
Terry Apsey
Costume Design:
Shirley Russell
Dialogue Editor:
Stan Fiferman
Director:
John Byrum
Director of Photography:
Peter Hannan
Editor:
Peter Boyle
Executive Producer:
Harry Benn
Rob Cohen
Focus Puller:
Colin Davidson
Gaffer:
Micky Thomas
Hairdresser:
Mike Jones
Mike Lockey
Location Manager:
Peter Elford
Makeup Artist:
Nick Forder
Makeup Supervisor:
George Frost
Novel:
W. Somerset Maugham
Original Music Composer:
Jack Nitzsche
Producer:
Robert P. Marcucci
Harry Benn
Production Accountant:
Gerald C. Wheatley
Production Design:
Philip Harrison
Production Manager:
Serge Touboul
Sudesh Syal
Production Supervisor:
John Comfort
Property Master:
George Ball
Screenplay:
John Byrum
Bill Murray
Script Supervisor:
Sally Jones
Set Decoration:
Stuart Rose
Ian Whittaker
Sound Mixer:
Bill Rowe
Sound Recordist:
Rene Borisewitz
Special Effects Supervisor:
Martin Gutteridge
Stunt Coordinator:
Peter Brayham
Supervising Sound Editor:
Leslie Hodgson
Wardrobe Master:
Michael Jeffery
Wardrobe Supervisor:
Catherine Halloran
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.