A work in constant progress (and occasional regress).
Release Date:
September 26, 1985
Original Title:
La vieja música
Genres:
Drama
Production Companies:
Anem Films
Brezal P.C.
Estela Films
Production Countries:
Argentina | Spain
Ratings / Certifications:
N/A
Runtime: 108
The new coach of the basketball team of Lugo arrives from Uruguay. He really knows nothing about training a basketball team so he keeps the previous coach on and in the meantime tries to learn from videos and books, but his real reason for coming to Spain was to find out about an old lost love.
Assistant Director:
Walter Prieto
Assistant Editor:
Manuela Camus
Julia Salvador
Associate Producer:
Rafael Díaz-Salgado
Alfonso Ronda
Boom Operator:
Manuel Ferreiro
Camera Operator:
Manuel Velasco
Costumer:
Mercedes Sánchez Rau
Director:
Mario Camus
Director of Photography:
Hans Burmann
Editor:
José María Biurrún
Electrician:
Alfredo Arnal
Ernesto Pérez
First Assistant Camera:
Ramiro Sabell
Foley Artist:
Luis Castro
Gaffer:
Enrique Bello
Graphic Designer:
Daniel Gil
Pablo Núñez
Ángel Uriarte
Grip:
Alfredo Díaz
Key Grip:
Juan José Castillo
Makeup Artist:
Fernando Pérez Sobrino
Producer:
José Luis Olaizola
Félix Tusell
Production Accountant:
Miguel Ríos
Production Assistant:
César Benítez
Production Design:
Rafael Palmero
Production Manager:
Ricardo García Arrojo
Property Master:
Daniel Miranda
Pedro Sastre
Script Supervisor:
Marisa Ibarra
Second Assistant Camera:
Wolfgang Burmann
Second Assistant Director:
Dris Deivak
Javier Trujillano
Set Dresser:
Joaquín Fernández Igual
José María Lago
Songs:
Pascual Contursi
J.B. De Ambrosio
Sound:
Jim Willis
Sound Mixer:
Eduardo Fernández
Special Effects:
Gonzalo Giménez
Still Photographer:
Jordi Socías
Wardrobe Master:
María Teresa Iglesias
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.