A work in constant progress (and occasional regress).
Release Date:
March 9, 1990
Original Title:
Bad Influence
Alternate Titles:
Malas influencias
都市狂情
Genres:
Thriller
Production Companies:
Epic Productions
Producers Representative Organization
Sarliu/Diamant
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 ES: 18 FR: U GR: 16 RO: 18+ US: R
Runtime: 99
Wimpy young executive Michael is about to get pulverized by a jealous boyfriend in a bar when a handsome, mysterious stranger steps in—and then disappears. Later that night, Michael runs into a stranger on a pier, who wheedles his way into Michael's life and turns it upside down.
ADR Editor:
Randy Vandegrift
Jim Borgardt
Apprentice Sound Editor:
Nancy Tracy
Art Department Coordinator:
Jamie Rubin
Art Direction:
Will Combs
Assistant Editor:
Axel Hubert
Phillip Kos
Assistant Hairdresser:
Mimi Vodnoy
Haim Adut
Assistant Location Manager:
Liz Matthews
Assistant Property Master:
Damon Cardwell
Assistant Sound Editor:
Rebecca Nicolaou
Melinda Garey
Tracy Toon
Associate Producer:
Bonnie Koehler
Best Boy Electric:
Steve Venetis
Robert A. Preston
Anthony G. Nakonechnyj
Best Boy Grip:
Charley Gilleran
Boom Operator:
Scott Jacobs
Casting:
Lisa Beach
Casting Associate:
Robyn Ray
Choreographer:
Sarah Elgart
Co-Producer:
Bernie Goldmann
Color Timer:
Mike Stanwick
Construction Coordinator:
Dean R. Brown
Construction Foreman:
Michael Atwell
Erich W. Schultz
Costume Design:
Malissa Daniel
Costume Supervisor:
Deahdra Scarano
Costumer:
Andrea Strazis
Dialect Coach:
Lillian Glass
Dialogue Editor:
Kimberly Lowe Voigt
Stuart Copely
G.W. Brown
Director:
Curtis Hanson
Director of Photography:
Robert Elswit
Dolly Grip:
Jon Caradies
Editor:
Bonnie Koehler
Electrician:
John R. Manocchia
David C. Dean
Cindy Lagerstrom
Larry Roth
David Maddux
Walter Santucci
Executive In Charge Of Post Production:
Brad Arensman
Executive In Charge Of Production:
Avram Butch Kaplan
Executive Producer:
Richard Becker
Morrie Eisenman
First Assistant Director:
David Womark
Focus Puller:
Mitchell Amundsen
Foley Artist:
Jerry Trent
Joan Rowe
Foley Editor:
Tom Hammond
Mark Larry
Gaffer:
Jim Grce
Stephen Sharp
Bob Field
Grip:
Dante Cardone
James Campana
Ezra Migel
Troy Webb
Ivan H. Migel
Lon Thompson
Key Grip:
Thaddeus Wadleigh
Key Hair Stylist:
Frances Mathias
Leadman:
Peter Borck
Location Manager:
Stuart Ganong
Steve Housewright
Makeup Artist:
Sharon Ilson
Sheryl Berkoff
Music Editor:
Dan Carlin Sr.
Music Supervisor:
Carol Fenelon
Negative Cutter:
Brian Ralph
Original Music Composer:
Trevor Jones
Producer:
Steve Tisch
Production Accountant:
Paulette C. Fine
Production Assistant:
Robert Leveen
Lonnie Kragel
Grace H. Wang
Bill Badalato
Jerry McNally
Paul Toth
Anthony Wooten
Production Coordinator:
Margi Newquist
Production Design:
Ron Foreman
Production Executive:
Louis G. Friedman
Production Secretary:
Michele E. Carnes
Production Sound Mixer:
Peter Bentley
Property Master:
Cyd Smyllie
Scenic Artist:
George Hinzo
Script Supervisor:
Cynthia Upstill
Sydney Gilner
Second Assistant Camera:
Keith Banks
Brian LeGrady
Second Assistant Director:
Tommy Burns
Second Second Assistant Director:
Roee Sharon Peled
Set Buyer:
Christina Volz
Set Decoration:
Leslie Morales
Sound Effects Editor:
John Kwiatkowski
Still Photographer:
Michael Paris
Stunt Coordinator:
Scott Wilder
Stunts:
Gary Price
Carlos A. Herzer
Pat Romano
Carol Neilson
Jerry Spicer
Shane Dixon
Supervising Sound Editor:
Dane A. Davis
Transportation Captain:
Falaniko S. Loa
Transportation Coordinator:
James 'Obee' Oberman
Unit Production Manager:
Iya Labunka
Unit Publicist:
Lisa Kasteler
Writer:
David Koepp
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.