A work in constant progress (and occasional regress).
Release Date:
December 1, 2016
Original Title:
Incarnate
Alternate Titles:
Incarnate - UR
Incarnate: Non potrai nasconderti
La reencarnación
Genres:
Horror | Thriller
Production Companies:
Blumhouse Productions
IM Global
WWE Studios
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 ES: 16 GB: 15 JP: G LT: N-13 PT: M/12 RU: 16+ SK: 15 US: PG-13
Runtime: 87
An exorcist comes up against an evil from his past when he uses his skills to enter the mind of a nine year old boy.
ADR Editor:
Robert Chen
ADR Mixer:
Judah Getz
Thomas J. O'Connell
Additional Editor:
William Yeh
Additional Photography:
Christopher Taylor
Art Direction:
Gary Warshaw
Jason Garner
Assistant Art Director:
Allison Isenberg
Assistant Chief Lighting Technician:
Greg Simone
Assistant Editor:
Matthew Prescott
Best Boy Grip:
Chris Cogan
Boom Operator:
Scott Edelson
Camera Operator:
Dominic Bartolone
Casting:
Russell Scott
Sherry Thomas
Sharon Bialy
Casting Assistant:
Stacia Kimler
Casting Associate:
Russell Scott
Co-Executive Producer:
Steven Squillante
Co-Producer:
Robyn Marshall
Marty Eli Schwartz
Kaylene Carlson
Costume Design:
Mona May
Lisa Norcia
Costume Supervisor:
Jacqueline Aronson
Dialogue Editor:
Justin Dzuban
Director:
Brad Peyton
Director of Photography:
Dana Gonzales
Editor:
Jonathan Chibnall
Todd E. Miller
Executive Producer:
Stuart Ford
Charles Layton
Brad Peyton
Michael J. Luisi
Jeannette Brill
Matt Kaplan
Couper Samuelson
First Assistant "A" Camera:
David Edsall
First Assistant "B" Camera:
Andrew Laboy
First Assistant Director:
James Sbardellati
Marty Eli Schwartz
First Assistant Editor:
Nathan Godley
Jim Schulte
Steve M. Ngo
Aimee Jennings
Foley Artist:
Miguel Barbosa
Foley Mixer:
Diego S. Staub
Gaffer:
Jeff Webster
Greensman:
Adolfo Castanon
Grip:
Yoshi Isomura
Hair Department Head:
Emanuel Millar
Key Grip:
Ben Benesh
Key Hair Stylist:
Theodora Katsoulogiannakis
Key Makeup Artist:
Tina Harrelson
Leadman:
Joe Bergman
Lighting Technician:
Dimitri Andrade
Zachary Helmer
Joey Kennedy
Makeup Department Head:
Nacoma Whobrey
Original Music Composer:
Andrew Lockington
Post Production Supervisor:
Jennifer Scudder Trent
Tony Roman
Producer:
Trevor Engelson
Jason Blum
Michael Seitzman
Production Accountant:
Mark Amos
Production Design:
Bill Boes
Production Secretary:
Sam Patton
Production Sound Mixer:
Robert Eber
Production Supervisor:
Libby Anderson
Property Master:
Gary Ramirez
Rigging Gaffer:
Augustus Gordon
Rigging Grip:
Michael Santoro
Mathew Severns
Dwight Elliott Stone
Scenic Artist:
Jamie McElrath
Screenplay:
Ronnie Christensen
Script Supervisor:
Renetta G. Amador
Second Assistant "A" Camera:
Joseph Joyce
Second Assistant "B" Camera:
Gary Bevans
Second Assistant Director:
Greg Hale
Set Decoration:
Traci Kirshbaum
Sound Designer:
Al Nelson
Sound Effects Editor:
Malcolm Fife
Sound Re-Recording Mixer:
Paul Hackner
Andy Koyama
Special Effects Supervisor:
Zak Knight
Steadicam Operator:
Dominic Bartolone
Still Photographer:
Matt Kennedy
Tony Rivetti Jr.
Storyboard Artist:
Peter Beck
Stunt Coordinator:
Trampas Thompson
Stunt Double:
Christopher Leps
Paul Anthony Scott
Courtney Schwartz
Stunts:
Brian Collins
John Dixon
Rico Burgos
Seth Duhame
Zac Henry
Supervising Sound Editor:
Paul Hackner
Transportation Captain:
J. Tom Jones
Transportation Co-Captain:
Jimmy A. Rivas
Transportation Coordinator:
James G. Brill
Unit Production Manager:
Kaylene Carlson
Visual Effects Producer:
Matt Primm
Visual Effects Supervisor:
Brandon Parvini
Jeff Lichtfuss
Wigmaker:
Emanuel Millar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.