A work in constant progress (and occasional regress).
Release Date:
January 17, 2014
Original Title:
Reasonable Doubt
Alternate Titles:
Auf falscher Fährte
Reasonable Doubt - Auf falscher Fährte
The Good Samaritan
Genres:
Crime | Thriller
Production Companies:
Bavariapool
Eagle Vision
Grindstone Entertainment Group
MFM
Paradox Entertainment
South Creek Pictures
Téléfilm Canada
Voltage Pictures
Production Countries:
Canada | Germany | United States of America
Ratings / Certifications:
AU: MA 15+ BR: 14 CA: 14A DE: 16 FR: 12 GB: 15 IT: T NL: 16 US: R
Runtime: 91
When up-and-coming District Attorney Mitch Brockden commits a fatal hit-and-run, he feels compelled to throw the case against the accused criminal who was found with the body and blamed for the crime. Following the trial, Mitch's worst fears come true when he realizes that he acquitted a guilty man, and he soon finds himself on the hunt for the killer before more victims pile up.
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"A" Camera Operator:
Candide Franklyn
"B" Camera Operator:
Paul Suderman
Art Department Coordinator:
Donna Jenkyns
Art Direction:
Larry Spittle
Assistant Costume Designer:
Nadine Falk
Assistant Dialogue Editor:
Aaron Olson
Assistant Editor:
Jesse Lyon
Best Boy Grip:
Christophe Nachtigall
Boom Operator:
Sacha Rosen
Camera Operator:
Shauna Townley
Camera Trainee:
Adrian Madden
Casting:
Candice Elzinga
Casting Assistant:
Zoë Shatwell
Casting Associate:
Martina Smyth
Joey Ritche
Casting Director:
Jim Heber
Candice Elzinga
Colorist:
Ryan McGregor
Construction Coordinator:
Brian Smith
Costume Assistant:
Katelynd Johnston
Costume Design:
Patricia J. Henderson
Craft Service:
Mike Currie
Dialect Coach:
Nancy Drake
Dialogue Editor:
Gord Hillier
Digital Imaging Technician:
Ryan McGregor
Director:
Peter Howitt
Director of Photography:
Brian Pearson
Dolby Consultant:
Matt Kunau
Dolly Grip:
Steve Madden
Editor:
Richard Schwadel
Extras Casting:
Kari Rieger
Extras Casting Assistant:
Eleanor Erum
First Assistant "A" Camera:
Marcus James
First Assistant "B" Camera:
Jason Heke
First Assistant Accountant:
Paul Courchaine
First Assistant Director:
Douglas Mitchell
First Assistant Hairstylist:
Alanna Holder-Riches
First Assistant Makeup Artist:
Daena Groleau
Foley Artist:
Maureen Murphy
Foley Editor:
Dean Giammarco
Foley Recordist:
Dave Hibbert
Gaffer:
John Clarke
Generator Operator:
Mark Motoch
Greensman:
Greg Warkentin
Grip:
Namowan Kirby
Terence Fuller
Andrew Szumilak
Jason Tuesday
Conroy Finnigan
Vince Syposh
Brad Smith
Richard Falk Jr.
Dave Preistly
Hairstylist:
Tamara Harrod
Head Carpenter:
Chris Sol
Key Grip:
Bill Mills
Key Hair Stylist:
Tamara Harrod
Key Makeup Artist:
Pamela M. Athayde
Key Scenic Artist:
Lloyd Brandson
Legal Services:
Paul Popeski
Christina Bulbrook
Ed Labowitz
Ken Dhaliwal
Location Manager:
Cathie J. Edgar
Makeup Artist:
Pamela M. Athayde
Alisha Talbot
Music:
James Jandrisch
Music Editor:
Andrew Ries
Music Supervisor:
Cathi Black
Online Editor:
Darren Tucker
Post Production Supervisor:
Todd Giroux
Producer:
Fredrik Malmberg
David Valleau
Silvio Muraglia
Daniel Wagner
Frank Buchs
Production Accountant:
Leanne Orchard
Production Assistant:
Khali Wenaus
Puneet Chawla
Kim Cleave
Production Coordinator:
Tamara Mauthe
Production Design:
Craig Sandells
Property Master:
Mark Stratton
Researcher:
Tricia Leigh
Script Supervisor:
Alanna Mills
Second Assistant "A" Camera:
Caley Gibson
Second Assistant "B" Camera:
Jeff Hammerback
Second Assistant Accountant:
Crystal Mikoluff
Security Coordinator:
Tony Braga
Set Decoration:
C. Summer Holmes
Set Dresser:
Allan McGowan
Lindsey Bart
Steve Benson
Rachel Kendall
Sound Mix Technician:
Gordon Sproule
Sound Mixer:
Leon Johnson
Sound Re-Recording Mixer:
Bill Sheppard
Stand In:
Charlyn Azure
Stefan Blab
Michael James
Anthony Fernando
Manny Sylvester
Still Photographer:
Allen Fraser
Stunt Coordinator:
Chuck Robinson
Rick Skene
Unit Publicist:
RoseAnna Schick
Writer:
Peter A. Dowling
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.