A work in constant progress (and occasional regress).
Release Date:
December 9, 1988
Original Title:
976-EVIL
Alternate Titles:
976-Evil
976-Evil - Durchwahl zur Hölle
976: El Teléfono del Infierno
976: Telèfon de L'Infern
Durchwahl zur Hölle
La Llamada del Diablo
Llamada Siniestra
Llamadas Satánicas
Maníaco nocturno
Εντολή από την Κόλαση
Genres:
Horror
Production Companies:
CineTel Films
Horrorscope Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 GB: 18 US: R
Runtime: 92
A bullied unpopular high school student named Hoax finds an ad for 976-EVIL, a number that provides daily 'horrorscopes'. But when he calls the number he gains demonic powers, which he uses to seek vengeance against those who bullied him.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Warren Kleiman
ADR Supervisor:
Paul Heslin
Art Department Coordinator:
Lauren A. Hartigan
Art Direction:
David Brian Miller
Assistant Accountant:
Grant Clark Alexander
Robert Pelham
Todd Grove
Assistant Art Director:
Fernando N. Altschul
Assistant Editor:
Brenda Sowa
Mark Redpath
Assistant Property Master:
Jim Landis
Best Boy Electric:
Hassan Ahmed
Kenny Christiansen
Best Boy Grip:
Bryan Robertson
Tony Nakonechnyt
David Pearlberg
Boom Operator:
Arnold A. Anderson
Casting:
Barbara Claman
Margaret McSharry
Casting Assistant:
Maureen A. Arata
Construction Coordinator:
Michael L. Clark
Lyndell Wolff
Construction Foreman:
Jerry Casillas
Costume Design:
Elizabeth Gower-Gruzinski
Craft Service:
Bruce Fahr
Suzie Bond
Director:
Robert Englund
Director of Photography:
Paul Elliott
Editor:
Stephen R. Myers
Electrician:
Ziad Doueiri
Thom Souris
Huston Beaumont
Executive Producer:
Paul Hertzberg
First Assistant Camera:
Ademir Silva
First Assistant Director:
Robert B. Graham
Foley Artist:
John Post
Ross Taylor
Jill Schachne
Foley Mixer:
Jackson Scwartz
Gaffer:
Louis DiCesare
Stephen Crawford
Grip:
Damian Costa
Theodore Eachus
Trevor Vetkos
Dave Salamone
Hair Supervisor:
Susan Reiner
Key Grip:
Scott Whited
Bradley Hattonj
Lead Set Dresser:
Michael Warga
Leadman:
Robert Greenfield
Location Manager:
Robert Earl Craft
Makeup & Hair Assistant:
Melanie Verkins
Makeup Effects Designer:
Kevin Yagher
Makeup Supervisor:
Susan Reiner
Music Coordinator:
Carolyn Robinson
Music Editor:
Jeff Charbonneau
Orchestrator:
Kennard Ramsey
Original Music Composer:
Thomas Chase
Steve Rucker
Producer:
Lisa M. Hansen
Production Accountant:
John V. Stuckmeyer
Production Design:
David Brian Miller
Production Manager:
Rick Blumenthal
Production Secretary:
Diane Weiss
Property Master:
Paul Byers
Publicist:
Dan Harrary
Scenic Artist:
Rebecca Menzel
Script Supervisor:
Helen Pinkston
Second Assistant Camera:
Todd E. Brown
Second Assistant Director:
Richard Oswald
Second Second Assistant Director:
Jeff Shiffman
Second Unit Director:
Lisa M. Hansen
Second Unit Director of Photography:
Greg Gardiner
Set Decoration:
Nancy Booth
Set Dresser:
Clair Bear Gaul
Mitch Turnbull
Sound Designer:
Sheridan Wolf Eldridge
Sound Editor:
Paul Heslin
Stuart Chasmar
Donlee Jorgensen
Victor Iorillo
Sound Mixer:
Beau Franklin
Sound Re-Recording Mixer:
Jeffrey J. Haboush
Greg P. Russell
Sound Recordist:
Gregory Cheever
Ken Burton
Ara Ashjian
Special Effects Technician:
James M. Navarra
Still Photographer:
Chris Buchinsky
Storyboard Artist:
Chris Buchinsky
Stunt Coordinator:
John Stewart
Stunts:
Kenny Bates
Lynn Salvatori
Jack West
Spiro Razatos
Supervising Sound Editor:
John Post
Transportation Captain:
Henry Jefferson
Transportation Coordinator:
Victor Anderson
Wardrobe Assistant:
Julie James
Meta Jardine
Writer:
Brian Helgeland
Rhet Topham
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.