A work in constant progress (and occasional regress).
Release Date:
March 28, 2013
Original Title:
Bez doteku
Genres:
Drama
Production Companies:
Barletta
Report Screen
Česká televize
Production Countries:
Czech Republic
Ratings / Certifications:
CZ: 15 JP: R18+
Runtime: 72
Jolana (18) is an object of her step-father's desire. She is unable to cope, especially when her own mother turns a blind eye. Those events are heavily paid for when she finds herself working in a brothel. Her inability to cope raise a question: What is it she actually wants? Are her dreams of escaping really better than the reality she finds herself in?
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Assistant Camera:
Štěpán Malík
Assistant Director:
Lucie Doležalová
Assistant Production Manager:
Zuzana Vrbová
Co-Producer:
Helena Uldrichová
Costume Design:
Kateřina Kratochvílová
Costumer:
Zora Lněničková
Helena Vašíčková
Creative Producer:
Tomáš Baldýnský
Director:
Matěj Chlupáček
Director of Photography:
Alexander Šurkala
Dramaturgy:
Jaroslav Sedláček
Zdeno Kubina
Editor:
Goran Balov
Michal Lánský
Executive Producer:
Jaroslav Kučera
First Assistant Camera:
Radek Loukota
Focus Puller:
Tomas Munzberger
Graphic Designer:
Zuzana Lednická
Makeup & Hair:
Markéta Pešková
Michaela Krepsová
Music:
Jan Stehlik
Producer:
Michal Chlupáček
Production Manager:
Lucie Zázvorková
Jiří Koštýř
Script:
Anastasiya Golovina
Set Designer:
Jana Železná
Sound:
Ivo Broum
Sound Mixer:
Jan Šléška
Special Effects:
Martin Prýca
Martin Mottl
Writer:
Jan Mazanec
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.