A work in constant progress (and occasional regress).
Release Date:
December 20, 1974
Original Title:
The Godfather Part II
Alternate Titles:
Baba 2
De Peetvader Deel II
Der Pate - Teil II
Der Pate 2
Der Pate II
El Padrino II
El Padrino, Parte 2
El Padrino. Parte 2
El padrino parte II
El padrí: 2a part
Gudfadern del II
Kmotr 2
Kummisetä, osa II
Le Parrain - 2ème partie
Le Parrain 2
Mario Puzo's The Godfather: Part II
O Padrinho - Parte II
O Poderoso Chefão 2
Ojciec chrzestny II
The Godfather - Part II
The Godfather 2
The Godfather Part 2
The Godfather: Part II
Xaç Atası 2
Ο Νονός - Μέρος 2ο
Крестный отец 2
Крёстный отец 2
ゴッドファーザー PART II:1974
ゴッドファーザーPART2
教父 2
教父 II
教父Ⅱ
教父续集
Genres:
Crime | Drama
Production Companies:
American Zoetrope
Paramount Pictures
The Coppola Company
Production Countries:
United States of America
Ratings / Certifications:
AU: MA 15+|M BR: 14 CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-18 FR: TP GB: 15 GR: 16 HU: 18 IE: 18 IT: VM14 JP: PG12 KR: 19 MX: C NL: 16 PL: 18 PT: M/16 SE: 15 US: R
Runtime: 202
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
1998 #32 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2003 #11 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Villains “Michael Corleone” |
2005 #58 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “Keep your friends close, but your enemies closer.” |
2007 #32 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
2008 #3 |
Top 10: GANGSTER
10 Greatest GANGSTER Films of All Time |
1992 #9 |
Directors' Top 10 Poll
Greatest Films of All Time |
2002 #4 |
Critics' Top 10 Poll
Greatest Films of All Time |
2002 #2 |
Directors' Top 10 Poll
Greatest Films of All Time |
2012 #31 |
Critics' Top 100 Poll
Greatest Films of All Time |
2012 #30 |
Directors' Top 100 Poll
Greatest Films of All Time |
Additional Music:
Carmine Coppola
Art Direction:
Angelo P. Graham
Assistant Director:
Newt Arnold
Tony Brandt
Associate Producer:
Mona Skager
Camera Operator:
Ralph Gerling
Casting:
Jane Feinberg
Vic Ramos
Mike Fenton
Co-Producer:
Gray Frederickson
Fred Roos
Conductor:
Carmine Coppola
Costume Design:
Theadora Van Runkle
Director:
Francis Ford Coppola
Director of Photography:
Gordon Willis
Editor:
Richard Marks
Peter Zinner
Barry Malkin
Gaffer:
George Holmes
Hairstylist:
Naomi Cavin
Key Grip:
Bob Rose
Location Assistant:
Mona Houghton
Location Coordinator:
Jack English
Makeup Artist:
Charles H. Schram
Dick Smith
Music Editor:
George Brand
Novel:
Mario Puzo
Original Music Composer:
Nino Rota
Producer:
Francis Ford Coppola
Production Design:
Dean Tavoularis
Production Manager:
Michael S. Glick
Production Supervisor:
Valerio De Paolis
Screenplay:
Mario Puzo
Francis Ford Coppola
Script Supervisor:
John Franco
B.J. Bjorkman
Second Assistant Director:
Burt Bluestein
Alan Hopkins
Michael Kusley
Charles Myers
Henry J. Lange Jr.
Set Decoration:
George R. Nelson
Sound Editor:
Walter Murch
Sound Effects Editor:
Howard Beals
James Fritch
Sound Montage Associate:
Mark Berger
Sound Re-Recording Mixer:
Walter Murch
Sound Recordist:
Charles M. Wilborn
Nathan Boxer
Special Effects:
Joe Lombardi
A.D. Flowers
Stunts:
Ted Grossman
Wally Rose
George Robotham
George Sawaya
Phil Adams
Tony Amato Sr.
Thanks:
James Caan
Title Designer:
Wayne Fitzgerald
Unit Manager:
Mario Cotone
Unit Publicist:
Eileen Peterson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.