A work in constant progress (and occasional regress).
Release Date:
March 6, 2009
Original Title:
Pontypool
Alternate Titles:
Fear of the Living Dead - Radio Zombie
Talking Dead
Genres:
Horror | Mystery | Science Fiction
Production Companies:
Ponty Up Pictures
Shadow Shows
Production Countries:
Canada
Ratings / Certifications:
AT: 16 CA: 14A GB: 15 HU: 16 PL: 18 US: NR
Runtime: 97
When disc jockey Grant Mazzy reports to his basement radio station in the Canadian town of Pontypool, he thinks it's just another day at work. But when he hears reports of a virus that turns people into zombies, Mazzy barricades himself in the radio booth and tries to figure out a way to warn his listeners about the virus and its unlikely mode of transmission.
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Art Department Trainee:
Zack Lovatt
Art Direction:
Andrew Berry
Assistant Costume Designer:
Lori Endes
Assistant Director Trainee:
Patrick Hepburn
Assistant Editor:
Duff Smith
Assistant Hairstylist:
Davida Gragor
Assistant Makeup Artist:
Davida Gragor
Associate Producer:
Billie Mintz
Michale Raske
Nick Sorbara
Best Boy Electric:
Doug Reid
Best Boy Grip:
Monty Montgomerie
Boom Operator:
Daryl Purdy
Camera Operator:
Mirosław Baszak
Vinit Borrison
Camera Trainee:
John Reed Hryszkiewicz
Julia Seidman
Carpenter:
Matthew Hallett
Chief Lighting Technician:
Mike McDonald
Compositing Supervisor:
Kevin Quatman
Construction Coordinator:
Marc Kuitenbrouwer
Costume Design:
Sarah Armstrong
Dialogue Editor:
David Drainie Taylor
Digital Imaging Technician:
Erik Greensmith
Digital Intermediate:
Hardave Grewal
Lee Hughes
Digital Intermediate Colorist:
Mila Patriki
Digital Intermediate Editor:
Dave Muscat
Digital Intermediate Producer:
Peter Armstrong
Director:
Bruce McDonald
Director of Photography:
Mirosław Baszak
Dolly Grip:
Bill Melanson Jr.
Editor:
Jeremiah Munce
Electrician:
Greg Haddow
Aaron Johnstone
Sean Keay
Bob Lyte
Frank Merino
Todd Sands
Sean Skarupa
Jason E. Hamilton
Krista Dzialoszynski
Richard D. Leko
Executive Producer:
Henry Cole
J. Miles Dale
Jasper Graham
Isabella Smejda
First Assistant Camera:
John Hickey
Michael Dawson
First Assistant Director:
John Pace
Foley Artist:
John Sievert
Generator Operator:
Mike Chase
Neil Diceman
James Kennedy
Graphic Designer:
Chris Gotzamanis
Grip:
Bob Mallen
Steve Van Denzen
Head Carpenter:
Joe McLean
Key Grip:
Dave Ferguson
Key Hair Stylist:
Indiana Allemang
Key Makeup Artist:
Indiana Allemang
Line Producer:
John Nadalin
Makeup & Hair:
Laura MacCon
Novel:
Tony Burgess
Original Music Composer:
Claude Foisy
Painter:
Jefferson Gonsalves
Post Production Supervisor:
Marc Bachli
Producer:
Jeffrey Coghlan
Ambrose Roche
Production Accountant:
Michale Raske
Production Coordinator:
Howard Ng
Production Design:
Lea Carlson
Production Manager:
John Nadalin
Property Master:
Kenny Meinzinger
Adrienne Trent
Prosthetic Designer:
Matthew Dewilde
Script Supervisor:
Matti Huhta
Second Assistant Camera:
Beth Nobes
Nick Torok
Angela Chao
Set Decoration:
Andrij Molodecky
Set Dresser:
Lyle Jobe
Sound Designer:
Steve Munro
Sound Effects Editor:
Paul Shikata
Sound Re-Recording Mixer:
Jan Rudy
John Hazen
Sound Recordist:
Michael LaCroix
Special Effects Assistant:
Tim Ferguson
Michael W. Hamilton
Dylan Hankinson
Special Effects Coordinator:
Geoff Hill
Stand In:
Jacinta McDonnell
Peter Snider
Still Photographer:
Caitlin Cronenberg
Ioana Vasile
Supervising Sound Editor:
Steve Munro
Third Assistant Camera:
Matthew Bedard
Title Designer:
J.L. Munce
Unit Publicist:
Sasha Stoltz
Visual Effects Coordinator:
Sarah Barber
Mel Martin
Visual Effects Production Manager:
Isabelle Langlois
Visual Effects Supervisor:
Aaron Weintraub
Wardrobe Assistant:
Jeannette Linton
Writer:
Tony Burgess
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.