A work in constant progress (and occasional regress).
Release Date:
May 21, 2001
Original Title:
The Perfect Wife
Alternate Titles:
La esposa perfecta
Mariage Mortel
Genres:
Drama | TV Movie | Thriller
Production Companies:
Nöel A. Zanitsch Production
Pierre David
The Image Organization
World International Network (WIN)
Production Countries:
United States of America
Ratings / Certifications:
HU: 16
Runtime: 90
When Leah's brother dies in a car accident, she vows revenge on the doc who failed to save him.
ADR Editor:
Gina Nuccio
ADR Mixer:
Brian Smith
ADR Supervisor:
Sarah Brady
Additional Editing:
JJ Jackson
Additional Second Assistant Camera:
Season FauntLeRoy
Additional Second Assistant Director:
Robert Brooks
Assistant Accountant:
Sherry Kecskes
Assistant Dialogue Editor:
Gina Nuccio
Assistant Production Coordinator:
Corissa Stobing
Assistant Property Master:
Timothy Sheehan
Assistant Set Decoration:
Julia Cortez
Associate Producer:
Perry King
Frank Rehwaldt
Rick Eyler
Best Boy Electric:
Jeff Kirschner
Best Boy Grip:
Calvin Starnes
Ethan Brannon
Boom Operator:
Michael Payne
Carpenter:
Alexander Abeyta
Casting:
Aaron Griffith
Casting Assistant:
Adele Sakler
Co-Producer:
George Saunders
Ken Sanders
Construction Coordinator:
Tyson Paul Gallaher
Costume Designer:
José M. Rivera
Dialogue Editor:
Eric Marin
Director:
Don E. FauntLeRoy
Director of Photography:
Don E. FauntLeRoy
Dolly Grip:
Aubrey Boytos
Brandon Menchen
Editor:
Robert Pergament
Electrician:
Shane Buttle
Jorge Covarrubias Jr.
Darren Bertonneau
Larry Wallace
Stuart Kirschner
Travis Sullivan
David Hagadorn
Executive Producer:
Anita Gershman
Larry Gershman
First Assistant Camera:
Hans Baumgartner
First Assistant Director:
Brian Mastrianna
Ruben Garcia
Foley Artist:
Eric Hoeschen
Foley Recordist:
Scott Rusch
Gaffer:
Mark A. Lindsay
Grip:
Mark Brown
Michael P. Catanzarite
Derek K. Cunningham
Mark Wright
Hairstylist:
Susan Romero
Key Grip:
George Palmer
Key Hair Stylist:
Tonie Keyton
Key Makeup Artist:
Tonie Keyton
Key Set Production Assistant:
Denise Anderson Poore
Line Producer:
Michael Tarzian
Location Assistant:
Shaun P. Sullivan
Brad Upton
Location Manager:
Michael Percival
Makeup Artist:
Susan Romero
Original Music Composer:
Richard Bowers
Post Production Supervisor:
Paul James Tierney
Producer:
Pierre David
Noël A. Zanitsch
Production Accountant:
Misty Dawn White
Production Coordinator:
Kyle LeMire
Production Design:
Carmi Gallo
Production Sound Mixer:
Mick Fowler
Property Master:
Ben Lewis
Screenplay:
Richard Dana Smith
George Saunders
Script Supervisor:
Mark S. Thomas
Seamstress:
Chantal Filson
Second Assistant Camera:
Jon Zarkos
Second Assistant Director:
Ruben Garcia
Second Second Assistant Director:
Jack Skeets Gleeson
Denise Anderson Poore
Security:
Roy A. Ruiz Jr.
Set Decoration:
Debbie Andrews
Set Dresser:
Bradford H. Turner
Set Production Assistant:
Juliana FauntLeRoy
John Orlando
Gianpaola Santarelli
Sound Effects Editor:
Adriane Marfiak
Sound Engineer:
Rick MacLane
Sound Re-Recording Mixer:
Eric Behrend
Eric Hoeschen
Sound Recordist:
Matthew T. Duncan
Steadicam Operator:
Gavin Ames
Still Photographer:
Karen Jensen
Stunt Coordinator:
Eric Mansker
Stunt Double:
Laura Albert
Stunts:
Brett A. Jones
Michelle Sebek
Al Jones
Swing:
Markus Wittman
Steve 'O' Watson
Transportation Captain:
Joseph E. Jones
Christopher Miller
Transportation Coordinator:
Richard Rollison
Unit Production Manager:
Michael Tarzian
Wardrobe Supervisor:
Chandra Moore-Telfer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.