A work in constant progress (and occasional regress).
Release Date:
August 14, 1992
Original Title:
Stay Tuned
Alternate Titles:
Frequenze Pericolose
Stay Tuned - Höllische Spiele
Telemaniacs
Genres:
Comedy | Fantasy
Production Companies:
Morgan Creek
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 GB: PG NL: AL US: PG
Runtime: 87
Salesman Roy Knable spends all his free time watching television, to the exasperation of his wife, Helen. One day, TV salesman Spike convinces Roy to buy a satellite dish offering 666 channels. The new addition to Roy's home entertainment system sucks him and Helen into Hellvision, a realm run by Spike, who is an emissary of Satan. For 24 hours, the couple must survive devilish parodies of TV programs if they want to return to reality alive.
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ADR Recordist:
Robert Deschaine
ADR Supervisor:
Joseph A. Mayer
Animation Supervisor:
Chuck Jones
Art Designer:
Drew Struzan
Art Direction:
David Willson
Richard Hudolin
Assistant Art Director:
Sheila Haley
Assistant Costume Designer:
Jori Woodman
Kathy Monderine
Assistant Editor:
John Coniglio
Peter Fandetti
Michael Smith
Assistant Property Master:
Paul Mulder
Boom Operator:
Don Brown
Camera Operator:
Ralph Gerling
Casting:
Lynn Stalmaster
Michelle Allen
Karen Hazzard
Casting Associate:
Michael Orloff
Co-Producer:
Arne Schmidt
Color Designer:
Maria Gonzalez
Costume Design:
Joe I. Tompkins
Dialogue Editor:
Chris Hogan
Randy Kelley
Dan M. Rich
Director:
Peter Hyams
Director of Photography:
Peter Hyams
Editor:
Peter E. Berger
Effects Supervisor:
Dave Bossert
Executive Producer:
David Nicksay
Gary Barber
Extras Casting:
James Forsyth
First Assistant Camera:
Alan R. Disler
First Assistant Director:
Jack Frost Sanders
Foley Artist:
John Roesch
Kevin Bartnof
Foley Recordist:
Marilyn Graf
Gaffer:
Les Erskine
Hairstylist:
Kandace Loewen
Key Grip:
Nick Kuchera
Ron Gillham
Key Hair Stylist:
Sugar Blymyer
Key Makeup Artist:
Lee Harman
Makeup Artist:
Sandy Cooper
Makeup Effects Designer:
Alec Gillis
Tom Woodruff Jr.
Original Music Composer:
Bruce Broughton
Producer:
James G. Robinson
Production Design:
Philip Harrison
Property Master:
Jimmy Chow
Andy Nieman
Screenplay:
Tom S. Parker
Jim Jennewein
Script Supervisor:
Lara Fox
Pattie Robertson
Second Assistant Camera:
Simon Barry
Second Assistant Director:
Rachel Leiterman
Robert Lee
Set Decoration:
Rose Marie McSherry
Lin MacDonald
Daniel R. Bradette
Annmarie Corbett
Set Decoration Buyer:
Helen Jarvis
Set Dresser:
Brad Mulder
Patrick Kearns
H. Chuck Robinson
Brent Bennett
Sound Editor:
Robert Batha
Jay B. Richardson
John Miceli
Scott Mosteller
David Baldwin
Mark A. Lanza
Peter Michael Sullivan
Willy Allen
Sound Mixer:
Ralph Parker
Daryl Powell
Sound Re-Recording Mixer:
John T. Reitz
David E. Campbell
Gregg Rudloff
Special Effects:
Don Leask
Special Effects Assistant:
Tim Storvick
Dean Lockwood
Corbin Fox
Joel Whist
Special Effects Coordinator:
John Thomas
George Erschbamer
Story:
Tom S. Parker
Jim Jennewein
Richard Siegel
Stunt Coordinator:
Gary Combs
Ken Kirzinger
Stunt Driver:
Tom Glass
Stunts:
J.J. Makaro
Jennifer Watson-Johnston
Melissa R. Stubbs
Gilbert B. Combs
Yves Cameron
Scott Nicholson
Fiona Roeske
Brent Woolsey
Dawn Stofer-Rupp
Lou Bollo
Peter Cox
Jim Clark
Dorothy Fehr
Alex Green
George Josef
Michael Langlois
Mike Mitchell
Fred Perron
Bill Stewart
Keith Wardlow
Supervising Sound Editor:
Scott Martin Gershin
Wylie Stateman
Third Assistant Director:
Adam Druxman
Unit Production Manager:
Michael MacDonald
Visual Effects Camera:
Mark Vargo
Visual Effects Coordinator:
Ladd McPartland
Visual Effects Producer:
Liz Ralston
Visual Effects Supervisor:
John Nelson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.