A work in constant progress (and occasional regress).
Release Date:
June 23, 1965
Original Title:
The Hallelujah Trail
Alternate Titles:
40 Wagen westwärts
Genres:
Comedy | Western
Production Companies:
Kappa
The Mirisch Company
United Artists
Production Countries:
United States of America
Ratings / Certifications:
DE: 6 IE: 15 US: NR
Runtime: 165
A wagon train heads for Denver with a cargo of whisky for the miners. Chaos ensues as the Temperance League, the US cavalry, the miners and the local Indians all try to take control of the valuable cargo.
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Art Direction:
Cary Odell
Assistant Camera:
Bruce Surtees
Richard Tim Vanik
David M. Walsh
Assistant Director:
Jack N. Reddish
Paul Cameron
Fred Lemoine
Thomas J. Schmidt
Tim Zinnemann
Assistant Editor:
Marshall M. Borden
Associate Producer:
Robert E. Relyea
Camera Operator:
William Mendenhall
John M. Stephens
Casting:
Lynn Stalmaster
Costume Design:
Edith Head
Director:
John Sturges
Director of Photography:
Robert Surtees
Editor:
Ferris Webster
Grip:
Tom D. May
Hairstylist:
Fae M. Smith
Makeup Artist:
Robert J. Schiffer
Music:
Elmer Bernstein
Music Editor:
Richard Carruth
Novel:
William Gulick
Playback Singer:
Robert B. Shepard
Producer:
John Sturges
Production Manager:
Nate H. Edwards
Production Supervisor:
Allen K. Wood
Screenplay:
John Gay
Script Supervisor:
John Franco
Second Unit Director:
Robert E. Relyea
Set Decoration:
Hoyle Barrett
Sound:
Robert Martin
Sound Effects Editor:
Wayne Fury
Gilbert D. Marchant
Sound Recordist:
Clem Portman
Special Effects:
A. Paul Pollard
Daniel Hays
Stunt Double:
Charles Bail
Stunts:
May Boss
Jim Burk
Philip Crawford
Steve DeFrance
Larry Duran
Tony Epper
Harry Froboess
Jerry Gatlin
Carol Henry
John McKee
John Moio
Carl Pitti
Danny Sands
Bill Williams
Joe Yrigoyen
Jeannie Epper
Title Designer:
Robert McGinnis
Unit Manager:
Patrick J. Palmer
Wardrobe Designer:
Wesley Jeffries
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.