A work in constant progress (and occasional regress).
Release Date:
October 11, 2013
Original Title:
How We Used to Live
Genres:
Documentary
Production Companies:
Heavenly Films
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 70
Documentarian Paul Kelly returns to the festival with his latest collaboration with the band Saint Etienne, following the loose trilogy of London films Finisterre, What Have You Done Today, Mervyn Day and This Is Tomorrow, all recently published on BFI DVD. In the decade since Finisterre Kelly has built a reputation as a distinctive voice in British cinema, developing a lyrical style that draws on the psychogeography and people of the city and its culture. How We Used To Live is effectively a prequel to Finisterre, a meditation on London life today and a glance back at a receding Britain. Using colour footage from the 1950s to the 1980s, taken from the BFI National Archive, the film covers the ‘New Elizabethan’ age from the optimism of the post-war era to the dawn of Thatcherism. Soundtracked by Saint Etienne’s Pete Wiggs and scripted by the band’s Bob Stanley with Travis Elborough, the film is for anyone who has ever tried to understand their city. (Source: LFF programme)
Director:
Paul Kelly
Editor:
Paul Kelly
Producer:
Martin Kelly
Olwyn Silvester
Writer:
Travis Elborough
Bob Stanley
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.