A work in constant progress (and occasional regress).
Release Date:
December 18, 1964
Original Title:
Kungsleden
Alternate Titles:
Bekleyis
Luulin että halusit
My Love and I
Obsession
Sensuellement suédoise
Genres:
Drama
Production Companies:
Nordisk Tonefilm
Production Countries:
Sweden
Ratings / Certifications:
SE: 15
Runtime: 106
'The King's Mountain Path' is a long line for wandering, with unmanned sleeping accommodation cabins at appropriate distances. It is not without dangers, in particular when narrow and shallow but speedily running creeks must be crossed. - When they were teenagers, a boy and girl wandered along this path, and had a sexual relation. They decided to meet again after exactly ten years, and at exactly this path. Both kept the promise.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.