A work in constant progress (and occasional regress).
Release Date:
March 12, 2015
Original Title:
Kidnapping Mr. Heineken
Alternate Titles:
El caso Heineken
Jogada de Mestre
Kidnapping Freddy Heineken
Викрадення містера Хайнекена
Похищение Фредди Хайнекена
Genres:
Action | Crime | Drama | Mystery | Thriller
Production Companies:
European Film Company
Informant Europe SPRL
Informant Media
Splendid Film
uMedia
Production Countries:
Belgium | Netherlands | United Kingdom
Ratings / Certifications:
AU: M BR: 12 CA: R DE: 16 ES: 12 GB: 15 GR: 15 KR: 15세이상관람가 NL: 12 US: R
Runtime: 95
The true story of the kidnapping of Freddy Heineken, the grandson of the founder of the Heineken brewery, and his driver. They were released after a ransom of 35 million Dutch guilders was paid.
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ADR Mixer:
Mitch Dorf
Ben Whitver
Art Department Coordinator:
Debbie C. Haber
Art Direction:
Jan Rutgers
Assistant Costume Designer:
Raissa Hans
Assistant Editor:
Björn Liljegrääs
Assistant Makeup Artist:
Catherine Clarinval
Assistant Property Master:
Robin Simmerly
Assistant Set Decoration:
Roxanne Wylleman
Associate Producer:
Bastien Sirodot
Martin Metz
Best Boy Electric:
Corey Erwin
Boom Operator:
Seppe van Groeningen
Camera Operator:
Robert Foster
Casting:
Michaël Bier
John Papsidera
Co-Producer:
Guirec van Slingelandt
Colorist:
Peter Bernaers
Construction Manager:
Ruben Hermans
Costume Design:
Catherine Van Bree
Costume Supervisor:
Catharine Fletcher Incaprera
Dialogue Editor:
Jeroen Truijens
Digital Intermediate Producer:
Paolo Finotto
Director:
Daniel Alfredson
Director of Photography:
Fredrik Bäckar
Dolly Grip:
Joe Cassano
Draughtsman:
Barbara Mertens
Editor:
Håkan Karlsson
Executive Producer:
Hugo Grumbar
Eric Brenner
Grant Guthrie
Gilles Waterkeyn
Adrian Politowski
Sandra Siegal
Darrel Casalino
Nadia Khamlichi
Extras Casting:
Alicia Connelly
Foley Artist:
Vincent Maloumian
Matt Salib
Terry Boyd Jr.
Foley Recordist:
Alexis Oscari
Gaffer:
Dieter Van der Eecken
Bob Bates
Graphic Designer:
Amandine Grafé
Greensman:
David Keith Broome
Hair Department Head:
Donna Spahn
Key Grip:
Boris Bourgois
Key Makeup Artist:
Darryl Lucas
Leadman:
Pat A. O'Connor
Lighting Technician:
Jon Tenholder
Casey Zimmerman
Vic Keatley
Mattijs Van Doninck
Line Producer:
Stéphane Lhoest
Carole Peterman
Berry van Zwieten
Makeup Artist:
Véronique Dubray
Makeup Designer:
Anne Moralis
Music Editor:
Nate Underkuffler
Music Supervisor:
Andy Ross
Original Music Composer:
Lucas Vidal
Original Story:
Peter R. de Vries
Producer:
Antoine Vermeesch
Michael A. Simpson
Howard Meltzer
Judy Cairo
Production Accountant:
Pamela Thornton
Nancy Brasseur
Production Coordinator:
Kelly R. Tenney
Production Design:
Hubert Pouille
Christopher Stull
Production Manager:
Nadine Borreman
Property Master:
Michael Williamson
Prosthetic Designer:
Saskia Verreycken
Rigging Gaffer:
Troy Anderson
Script Supervisor:
Els Rastelli
Nicole Garcea
Seamstress:
Giselle Spence
Second Assistant Camera:
Arthur Anger
Second Assistant Director:
Ruud Ahsmann
Second Unit Director:
Willem de Beukelaer
Set Decoration:
Stefaan Lejon
Ilse Willocx
Owl Martin Dwyer
Sound Designer:
Herman Pieëte
Sound Effects Editor:
Steven Avila
Sound Mixer:
Christian Monheim
Sound Re-Recording Mixer:
Alek Goosse
Mark A. Rozett
Seva Solntsev
Special Effects Makeup Artist:
Sylvie Takke
Steadicam Operator:
Benoît Theunissen
Still Photographer:
Ben Rothstein
Sofie Silbermann
Storyboard Artist:
Thomas Lothström
Stunt Coordinator:
Willem de Beukelaer
Supervising Sound Editor:
François Dumont
Trip Brock
Writer:
William Brookfield
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.