A work in constant progress (and occasional regress).
Release Date:
December 27, 2013
Original Title:
Até Que a Sorte nos Separe 2
Alternate Titles:
Till Luck Do Us Part 2
Genres:
Comedy
Production Companies:
Globo Filmes
Gullane Entretenimento
Paris Filmes
RioFilme
Telecine
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 102
After all the trouble in the first film, Tino and Jane have more fun adventures. Still tasting bitter failure, they see a light at the end of the tunnel with uncle Olavinho’s unexpected inheritance. However, the will carries an unusual request: the rich uncle wants his ashes to be scattered throughout the Grand Canyon. The couple takes the opportunity of the trip to fulfill this wish and decides to go to Las Vegas and end up getting into comical situations. Big time spender Tino will fall into the greatest temptations and indulge in the casinos of the gambling city.
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Art Direction:
Ula Schliemann
Assistant Director:
Marcelo Antunez
Assistant Director Trainee:
João Londres
Co-Producer:
Sandi Adamiu
Marcio Fraccaroli
Color Grading:
Ely Silva
Costume Design:
Gabriela Campos
Director:
Roberto Santucci
Director of Photography:
Juarez Pavelak
Editor:
Leo Clark Ribeiro
Executive Producer:
Pablo Torrecillas
Caio Gullane
Claudia Büschel
Hairstylist:
Luiz Gaia
Makeup Artist:
Marlene Moura
Original Music Composer:
Fael Mondego
Fabio Mondego
Marco Tommaso
Post Production Supervisor:
Patricia Nelly
Producer:
Débora Ivanov
Fabiano Gullane
Gabriel Lacerda
Caio Gullane
Production Director:
Shanti Correa
Fernanda Laignier
Sound:
Stuart Deutsch
Evandro Lima
Supervising Sound Editor:
Ricardo Reis
Miriam Biderman
Visual Effects Supervisor:
Marcelo Antunez
Writer:
Paulo Cursino
Chico Soares
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.