A work in constant progress (and occasional regress).
Release Date:
December 4, 2007
Original Title:
The Golden Compass
Alternate Titles:
A Bússola de Ouro
Det gylne kompasset
La Brujula Dorada
Złoty Kompas
À la croisée des mondes - La Boussole d'or
Το Αστέρι του Βορρά
Златният компас
Золотой компас
ライラのぼうけん おうごんのらしんば
ライラの冒険 黄金の羅針盤
黃金羅盤
황금 나침반
황금나침반
Genres:
Adventure | Fantasy
Production Companies:
Depth of Field
Ingenious Media
New Line Cinema
Scholastic Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: PG BR: 14 CA: PG CZ: 15+ DE: 12 DK: 11 FI: K-16 FR: TP GB: PG GR: PG HU: 12 IE: 12A JP: G KR: ALL NL: 12 PL: 16 PT: M/12 RU: 12+ SK: 12 TH: PG US: PG-13
Runtime: 113
After overhearing a shocking secret, precocious orphan Lyra Belacqua trades her carefree existence roaming the halls of Jordan College for an otherworldly adventure in the far North, unaware that it's part of her destiny.
ADR Mixer:
Robert Deschaine
Peter Gleaves
Nick Kray
ADR Recordist:
Rachael Tate
ADR Supervisor:
Lee Herrick
Additional Editing:
Martin Corbett
Animation:
Sachin Bangera
Alexander Fernandes
Armorer:
Nick Jeffries
Damian Mitchell
Jon Baker
Art Department Coordinator:
Tamazin Simmonds
Art Direction:
Chris Lowe
Andy Nicholson
Assistant Art Director:
Helen Xenopoulos
Assistant Costume Designer:
Camille Benda
Assistant Director:
Iain Lawrence
Assistant Editor:
Russell Pawson
Assistant Set Decoration:
Fergus Clegg
Sophie Newman
Lee Sandales
Assistant Sound Editor:
Danny Freemantle
Boom Operator:
Tristan Tarrant
Camera Operator:
George Richmond
Graham Hall
Casting:
Lucy Bevan
Fiona Weir
Colorist:
Mel Kangleon
Compositing Lead:
Michael Melchiorre
Compositing Supervisor:
Joe Farrell
Concept Artist:
Lee Oliver
Virginie Bourdin
Neil Campbell Ross
Linda Bergkvist
Sevendalino Khay
Cyrille Nomberg
Dan Walker
Conceptual Design:
Constantine Sekeris
Greg Spalenka
Construction Coordinator:
Zoe Wilson
Construction Manager:
Andy Evans
Costume Design:
Ruth Myers
Costume Supervisor:
William McPhail
Dialect Coach:
Sandra Frieze
Roisin Carty
Digital Effects Producer:
Diane Kingston
Digital Intermediate Colorist:
Michael Hatzer
Director:
Chris Weitz
Director of Photography:
Henry Braham
Draughtsman:
Matthew Robinson
Gavin Fitch
Charlotte Leatherland
Kate Grimble
Tim Browning
Ashley Winter
Ruth Wallington
Alice Biddle
Dressing Prop:
Bill Hargreaves
Editor:
Anne V. Coates
Peter Honess
Kevin Tent
Electrician:
Tony Hannington
Dean Kennedy
Colin Gallagher
Ben Suter
Lou Bogue
Executive Producer:
Andrew Miano
Michael Lynne
Toby Emmerich
Mark Ordesky
Ileen Maisel
Paul Weitz
Robert Shaye
Fight Choreographer:
Douglas Bunn
First Assistant "A" Camera:
Kenny Groom
First Assistant "B" Camera:
John Gamble
First Assistant Director:
Terry Needham
First Assistant Editor:
Tom Harrison-Read
Focus Puller:
György Vesztergombi
Foley Artist:
Nicolas Becker
Foley Editor:
Hugo Adams
Foley Recordist:
Philippe Amouroux
Damien Lazzerini
Generator Operator:
Barry Bellotti
Hair Designer:
Peter Swords King
Key Grip:
Gary Hymns
Key Hair Stylist:
Janine Schneider
Key Makeup Artist:
Janine Schneider
Lighting Artist:
Justin Hammond
Mark Osborne
Lighting Technician:
Howard R. Campbell
Makeup & Hair:
Tamsin Dorling
Lesley Smith
Paula Price
Nuala McArdle
Makeup Artist:
Nicola Buck
Angela Levin
Julia Wilson
Makeup Designer:
Peter Swords King
Music Editor:
Peter Clarke
Novel:
Philip Pullman
Original Music Composer:
Alexandre Desplat
Painter:
George Dean
Pilot:
Frédéric North
Franz Cotting
Roger Eide
Post Production Coordinator:
Jolyon Haverson
Post Production Supervisor:
Michael Solinger
Sara Romilly
Producer:
Bill Carraro
Deborah Forte
Production Accountant:
Aniko Hegedus
Emma Bendell
Production Coordinator:
Veronika Dobos
Emily Glatter
Production Design:
Dennis Gassner
Production Secretary:
Samuel Sharpe
Property Master:
Barry Gibbs
Scenic Artist:
Rohan Harris
Satarupa Bradley
Screenplay:
Chris Weitz
Script Supervisor:
Nikki Clapp
Seamstress:
Harriet Johnson
Emma Brown
Lisa Robinson
Elaine Mansouri
Elizabeth Harrison
Jennifer Alford
Louise Mills
Second Assistant "A" Camera:
Alan Hall
Second Assistant "B" Camera:
Ben Perry
Second Assistant Director:
William Dodds
Richard Goodwin
Second Second Assistant Director:
Kim Whittaker
Second Unit:
Bill Hargreaves
Second Unit Director:
Michael L. Fink
Vic Armstrong
Peter MacDonald
Second Unit First Assistant Director:
Edward Brett
Tommy Gormley
David Daniels
Set Decoration:
Anna Pinnock
Set Medic:
Jeannie Udall
Sound Designer:
Glenn Freemantle
Andy Kennedy
Tom Sayers
Sound Effects Editor:
Ben Barker
Sound Re-Recording Mixer:
Mike Prestwood Smith
Special Effects Supervisor:
Trevor Wood
Steadicam Operator:
George Richmond
Still Photographer:
Laurie Sparham
Storyboard Artist:
Chris Baker
Giles Asbury
Temple Clark
Jonathan Millward
Studio Teacher:
Mari Smith
Esther Davis
Stunt Coordinator:
Paul Jennings
Stunt Double:
Rowley Irlam
Sophie Tommy
Stunts:
Marc Mailley
David Holmes
Richard Wu
Pete Ford
Ben Wright
Levan Doran
Supervising Art Director:
Richard L. Johnson
Supervising Dialogue Editor:
Gillian Dodders
Unit Production Manager:
Nik Korda
Bill Carraro
Unit Publicist:
Susan d'Arcy
Visual Effects Supervisor:
Ben Morris
Bill Westenhofer
Michael L. Fink
Wardrobe Master:
Laura Ergis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.