A work in constant progress (and occasional regress).
Release Date:
October 2, 1987
Original Title:
The Right Hand Man
Genres:
Drama
Production Companies:
UAA Films
Yarraman Productions
Production Countries:
Australia
Ratings / Certifications:
CA: R
Runtime: 97
A stagecoach driver goes to work for a dying, one-armed aristocrat in 1860s Australia.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Animal Wrangler:
Grahame Ware
Art Direction:
Nick Hepworth
Assistant Sound Editor:
Lara Esam
Casting:
Liz Mullinar
Construction Manager:
Ken Hazelwood
Continuity:
Nicky Moors
Costumer:
Anna Wade
Dialogue Editor:
Stephanie Flack
Director:
Di Drew
Director of Photography:
Peter James
Editor:
Don Saunders
Executive Producer:
David Thomas
First Assistant Director:
Phil Rich
First Assistant Editor:
Stephanie Flack
Hairdresser:
Ziggy Zeigenbein
Makeup Artist:
Josy Knowland
Novel:
Kathleen Peyton
Original Music Composer:
Allan Zavod
Post Production Supervisor:
Julia Overton
Producer:
Tom Oliver
Basil Appleby
Steven Grives
Production Design:
Neil Angwin
Production Executive:
Christopher Bartlett
Production Manager:
Renate Wilson
Scenic Artist:
Billy Malcolm
Second Assistant Director:
Stephan Elliott
Second Unit Director of Photography:
Andre Fleuren
David Williamson
Sound Effects:
Phil Heywood
Sound Mixer:
Peter Fenton
Sound Recordist:
Syd Butterworth
Special Effects:
Roger Cowland
Story Developer:
Steven Grives
Stunt Coordinator:
Bernard Ledger
Stunt Double:
Robert W. Simper
Stunts:
Richard Boué
Third Assistant Director:
Toby Pease
Title Designer:
Fran Burke
Unit Manager:
Roxanne Delbarre
Writer:
Helen Hodgman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.