A work in constant progress (and occasional regress).
Release Date:
May 13, 1982
Original Title:
Die Sehnsucht der Veronika Voss
Alternate Titles:
Veronika Voss
维洛妮卡佛丝
维罗尼卡·福斯的欲望
过气女伶
베로니카 포스의 갈망
Genres:
Drama
Production Companies:
Laura Film
Maran Film
Rialto Film
Süddeutscher Rundfunk
Tango Film
Trio Film
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 105
In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.
Art Direction:
Walter E. Richarz
Assistant Camera:
Josef Vavra
Assistant Director:
Karin Viesel
Tamara Kafka
Harry Baer
Assistant Editor:
Angelika Deumling
Co-Producer:
Horst Wendlandt
Rainer Werner Fassbinder
Costume Assistant:
Monika Jacobs
Elisabeth Blanke
Costume Design:
Barbara Baum
Director:
Rainer Werner Fassbinder
Director of Photography:
Xaver Schwarzenberger
Editor:
Juliane Lorenz
Extras Casting:
Helga Fischer
Key Grip:
Michael Stöger
Lighting Technician:
Ekkehard Heinrich
Makeup Artist:
Anni Nöbauer
Gerhard Nemetz
Original Music Composer:
Peer Raben
Producer:
Thomas Schühly
Bertram Vetter
Production Accountant:
Ursula Wöhrl
Production Design:
Rolf Zehetbauer
Production Secretary:
Gisela Schneider
Property Master:
Thomas Schappert
Frank D. Geuer
Screenplay:
Pea Fröhlich
Rainer Werner Fassbinder
Peter Märthesheimer
Second Assistant Camera:
Suzanne Phillip
Sound Assistant:
Rupert Medele
Sound Designer:
Vladimir Vizner
Still Photographer:
Leo Weisse
Unit Manager:
Michael Bohnstengel
Wulf Gasthaus
Michael McLernon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.