A work in constant progress (and occasional regress).
Release Date:
October 30, 2013
Original Title:
Skinwalker Ranch
Alternate Titles:
Skinwalkers
Genres:
Horror | Science Fiction | Thriller
Production Companies:
DeepStudios
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 NL: 16 US: R
Runtime: 86
In 2010 “Skinwalker Ranch” gained media attention after experiencing a wide range of unexplained phenomena. Reports ranged from UFO sightings to livestock mutilation, but maybe most notable was the disappearance of ranch owner Hoyt Miller’s eight-year-old son Cody on November 11, 2010. Close to a year later, Modern Defense Enterprises has sent a team of experts to document and investigate the mysterious occurrences, which only escalate upon their arrival. Tensions rise as the team must decide how far they will go to unlock the mysteries of “Skinwalker Ranch.” The group debates whether the answers are worth risking their lives for, or if they should just call off the investigation and leave the ranch—that is, if leaving is actually an option…
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ADR Mixer:
Matt Hovland
Animation:
Jarom Brand
David Gibb
Assistant Costume Designer:
Amy Jean Roberts
Boom Operator:
Katiene Norton
Colton Swibold
Camera Operator:
Craig Sullivan
Shiblon Wixom
Casting:
Catrine McGregor
Costume Design:
Kishmere Carter
Dialogue Editor:
Nate Hoffman
Director:
Devin McGinn
Director of Photography:
Michael Black
Electrician:
Craig Wallace
First Assistant Camera:
David 'D.R.' Rhineer
Gaffer:
Judd Hillman
Key Makeup Artist:
Greg T. Moon
Producer:
Devin McGinn
Tobijah Tyler
Murphy Michaels
Production Design:
Murphy Michaels
Script Supervisor:
Laura Pratt
Set Decoration:
Leslie Boothe
Sound Designer:
Jaren Tolman
Sound Re-Recording Mixer:
Paul Hackner
Still Photographer:
Carol Call
Supervising Sound Editor:
Jaren Tolman
Visual Effects Editor:
Q. Bryce Randle
Visual Effects Producer:
Ammon Jones
Visual Effects Supervisor:
Matt Hoffman
Murphy Michaels
Writer:
Adam Ohler
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.