A work in constant progress (and occasional regress).
Release Date:
July 17, 1985
Original Title:
Trial Run
Alternate Titles:
Corsa contro la morte
Corsa contro la paura
La quarta vittima
À la seconde près
Genres:
Thriller
Production Companies:
Cinema and Television Productions
Double Feature Investments
New Zealand Film Commission
Production Countries:
New Zealand
Ratings / Certifications:
DE: 18
Runtime: 91
Housewife Rosemary Edmonds leaves her family to take up residence in a remote cottage on the Otago coastline so that she can conduct a photographic essay on the yellow-eyed penguin. No sooner has she moved in than she becomes the victim of a series of increasingly more malevolent attacks from an unknown assailant.
Animal Wrangler:
Judy Harker
Art Department Assistant:
Sharon Alston
Art Direction:
Kirsten Shouler
Assistant Editor:
Barbara Hardy
Prue Birch
Assistant Gaffer:
Belinda Crayford
Associate Producer:
Alane Hunter
Boom Operator:
Eric Briggs
Camera Trainee:
Hester Joyce
Clapper Loader:
Moragh Cameron
Continuity:
Kristin Witcombe
Director:
Melanie Read
Director of Photography:
Allen Guilford
Editor:
Finola Dwyer
First Assistant Director:
Richard A. Barker
Focus Puller:
Peter Day
Gaffer:
Tony Eversden
Grip:
Dennis Cullen
Hairstylist:
Sarah Anderson
Idea:
Caterina De Nave
Melanie Read
Makeup Artist:
Sarah Anderson
Music:
Jan Preston
Producer:
Don Reynolds
Producer's Assistant:
Lynne Howard
Production Accountant:
Avril Stott
Production Design:
Judith Crozier
Production Manager:
Eloise Macallister
Production Secretary:
Lyn Galbraith
Property Buyer:
Louise Carrigan
Second Assistant Director:
Victoria Hardy
Sound Editor:
Annie Collins
Sound Mixer:
Brian Shennan
Sound Recordist:
Graham Morris
Standby Property Master:
Louise Carrigan
Still Photographer:
Justine Lord
Title Designer:
Sharon Alston
Unit Manager:
Margaret Hilliard
Writer:
Melanie Read
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.