A work in constant progress (and occasional regress).
Featuring:
George Dolenz, Bill Kennedy, Daun Kennedy
Written by:
Joseph O'Donnell
Tom Gibson
Harold Channing Wire
Directed by:
Lewis D. Collins, Ray Taylor
Release Date:
October 23, 1945
Original Title:
The Royal Mounted Rides Again
Genres:
Action | Western
Production Companies:
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 221
In time-honored fashion, a couple of supporting players -- George Dolenz and Bill Kennedy -- found themselves elevated to starring roles in this minor Universal serial. They played Royal Canadian Mounted Police officers investigating the murder of a miner. The story, of course, was less important than speed and action, which directors Ray Taylor and Lewis D. Collins delivered in typical slap-dash Universal style. Starlet Daun Kennedy did not make much of an impression as the imperiled leading lady, and former star Robert Armstrong (of King Kong fame) was wasted in a subordinate role. Rondo Hatton, a non-actor whose grotesque appearance (caused by acromegaly, the so-called "Elephant Man" disease) was tastelessly exploited by Universal in the '40s, appeared as one of the outlaws.
Mine owner Jackson Decker orders his manager to obtain Tom Bailey's milling machinery no matter what the cost. When Bailey is found murdered, suspicion naturally falls upon the mine owner and his son, a Canadian Mountie, is ordered to find the real culprit. He joins forces with a French-Canadian constable, Bailey's beautiful daughter and a phony palm reader to learn the truth and discovers a secret gold mine, a double-crossing casino owner and a forger at the bottom of the conspiracy.
Director:
Ray Taylor
Lewis D. Collins
Director of Photography:
Jerome Ash
Charles Van Enger
Editor:
Jack Dolan
Alvin Todd
Irving Birnbaum
Edgar Zane
Producer:
Morgan Cox
Screenplay:
Harold Channing Wire
Joseph O'Donnell
Tom Gibson
Stunts:
Sol Gorss
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.