A work in constant progress (and occasional regress).
Release Date:
April 3, 1978
Original Title:
Solos en la madrugada
Genres:
Drama
Production Companies:
José Luis Tafur P.C.
Production Countries:
Spain
Ratings / Certifications:
PL: 16
Runtime: 102
Jose, a journalist and radio broadcaster, runs a daily program under the title 'Alone in the wee hours' ('Solos en la madrugada'), which has garnered a huge national audience as a satirical chronicle of Spanish society in the democratic transition of the late 1970s. Married and separated from Elena, Jose has two children, whom he only sees from time to time. Then he meets Maite, younger than him, outgoing and more open-minded than he wants. The emotional shock caused by his relationship with these two women will change his pessimistic view of life.
Assistant Makeup Artist:
Paloma Fernández Olea
Miguel Sesé
Assistant Set Decoration:
José Luis del Barco
Assistant Unit Manager:
José Luis Merino
Camera Operator:
Salvador Gil
Construction Coordinator:
Mariano Erdoiza
Director:
José Luis Garci
Director of Photography:
Manuel Rojas
Editor:
Miguel González Sinde
First Assistant Camera:
Salvador Gómez Calle
First Assistant Director:
Sinesio Isla
First Assistant Editor:
Amparo F. Roces
Gaffer:
Rafael Martín
Hairstylist:
Francisca Guillot
Key Grip:
Francisco García
Music:
Jesús Gluck
Producer:
José María González Sinde
Production Manager:
Santiago Marugán
Property Master:
Manuel Rincón
Screenplay:
José Luis Garci
José María González Sinde
Script Supervisor:
Lucía Martín
Seamstress:
Paquita Pons
Second Assistant Camera:
José Luis Aguilar
Second Assistant Director:
Ramiro Gómez
Set Decoration:
Ramiro Gómez
Sound Engineer:
Antonio Alonso
Still Photographer:
Antonio de Benito
Story:
José Luis Garci
José María González Sinde
Transportation Coordinator:
Félix Fontal
Unit Production Manager:
Santiago Marugán
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.