A work in constant progress (and occasional regress).
Release Date:
September 13, 2014
Original Title:
るろうに剣心 伝説の最期編
Alternate Titles:
Rurouni Kenshin 3: The Legend Ends
Rurouni Kenshin : The Legend Ends
Rurouni Kenshin: Densetsu no saigo hen
Samurai X: The Legend Ends
浪客剑心:传说的完结篇
浪客剑心:传说的终章
Genres:
Action | Adventure | Fantasy
Production Companies:
AMUSE
GYAO
KDDI
Shueisha
Warner Bros. Japan
Production Countries:
Japan
Ratings / Certifications:
CA: 18A JP: R KR: 18 PL: 16 US: R
Runtime: 135
Shishio sets sail in his ironclad ship to bring down the government. In order to stop him, Kenshin trains with his old master to learn his final technique.
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"C" Camera Operator:
Jitsu Toyoda
Action Director:
Kenji Tanigaki
Comic Book:
Nobuhiro Watsuki
Compositing Artist:
Wakako Sekine
Conductor:
Hideo Hirata
Costume Design:
Kazuhiro Sawataishi
Director:
Keishi Otomo
Director of Photography:
Takuro Ishizaka
Editor:
Tsuyoshi Imai
Executive Producer:
Hiroyoshi Koiwai
William Ireton
Finance:
Ken Tajima
Gaffer:
Katsutoshi Hirano
Line Producer:
Keizô Shukuzaki
Music Editor:
Kazuyuki Ishii
Music Producer:
Kôzô Araki
Music Programmer:
Naoki Sato
Musician:
Ken'ichi Tsujimoto
Hana Inoue
Shinpei Tsugita
Masatsugu Shinozaki
Yoshiyuki Uema
Yûta Ôno
Haruki Mino
Jonathan Hammill
Original Music Composer:
Naoki Sato
Producer:
Satoshi Fukushima
Tatsuro Hatanaka
Naoto Miyamoto
Masahiko Ibaraki
Production Accountant:
Hitoshi Ito
Production Design:
So Hashimoto
Production Sound Mixer:
Toshiyuki Furutani
Hiroaki Masuko
Screenplay:
Kiyomi Fujii
Keishi Otomo
Sound Assistant:
Toshiyuki Furutani
Sound Effects:
Akihiko Okase
Sound Engineer:
Mikio Obata
Sound Re-Recording Mixer:
Hiroyuki Ishizaka
Aras Yadegari
Stunt Coordinator:
Kenji Tanigaki
Takahito Ôuchi
Stunts:
Masafumi Oishi
Masaki Onishi
Theme Song Performance:
ONE OK ROCK
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.