A work in constant progress (and occasional regress).
Release Date:
April 29, 1973
Original Title:
Командир счастливой «Щуки»
Alternate Titles:
Befälhavare för den lyckliga "gädda"
Der Kommandant des U-Bootes 'Glücklicher Hecht'
Dowódca łodzi podwodnej
Komandant srećne "Štuke"
Komandir sretne "Štuke"
Laimīgās "Līdakas" komandieris
Le Commandant du joyeux 'Brochet'
Periszkóp a fjordok között
Velitel šťastné Štiky
Xoşbəxt Pike komandiri
Õnneliku «Havi» komandör
Командир щасливої «Щуки»
Командирът на щастливата щука
Genres:
Action | Adventure | Drama | War
Production Companies:
Mosfilm
Production Countries:
Soviet Union
Ratings / Certifications:
N/A
Runtime: 101
1942, Polar region. The Germans are preparing to capture Murmansk. The submarine Sch-721 is considered lucky, and its captain Aleksei Strogov has the ability to extricate himself from the most difficult situations. He also develops tactics for a periscope-free torpedo attack, despite the skepticism of colleagues and management. And now, when the Happy "Pike" had to take on board the crew of another Soviet submarine, and she was on the seabed with almost no oxygen, Aleksei manages to save people and perform the operation, paying for it with his life...
Assistant Camera:
Vladimir Klimov
Vladimir Kromas
Camera Operator:
Viktor Epshteyn
Costume Assistant:
Tatyana Razumovskaya
Costume Design:
Maya Filippova
Director:
Boris Volchek
Director of Photography:
Boris Volchek
Valentin Makarov
Editor:
Lidiya Milioti
Makeup Artist:
Mariya Agofonova
Original Music Composer:
Aleksandr Zatsepin
Production Design:
Vladimir Aronin
Set Decoration:
Aleksandr Tolkachov
Anatoli Burdo
Sound:
Vitali Shmelkin
VFX Artist:
Zoya Moryakova
Visual Effects Camera:
Aleksandr Renkov
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.