A work in constant progress (and occasional regress).
Release Date:
December 31, 2011
Original Title:
After Warhol
Ratings / Certifications:
US: PG
Runtime: 64
I just a did a film with my ‘Acting Bad’ class called After Warhol, where we watched a few of the Warhol screen tests and then mimicked them. It’s not what he does but a manipulation; I got them to act as they thought a screen test would be in a Warhol sense, and then I recontextualised it so we could talk about how acting might not be screened the way you thought you acted. Especially today with these manipulations, and Hollywood films with collaging and green screens: groups of people going ‘aaaah!’, like that, and the monster isn’t even there. So it’s that idea. But it’s a nice little film, with an amazingly diverse group of students.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.