A work in constant progress (and occasional regress).
Release Date:
October 8, 2014
Original Title:
Alexander and the Terrible, Horrible, No Good, Very Bad Day
Alternate Titles:
ALEXANDER Y UN DÍA TERRIBLE, HORRIBLE, MALO… ¡MUY MALO!
Alexander El Peor Dia De Todos
Alexander and the Very Bad Day
Alexander e la terribile, orribile, abominevole ma veramente bruttissima giornata
Alexander et sa journée épouvantablement terrible et affreuse
Alexandre e o Terrível, Horrível, Nada Bom, Péssimo Dia
Die Coopers - Schlimmer geht immer
Genres:
Comedy | Family
Production Companies:
21 Laps Entertainment
The Jim Henson Company
Walt Disney Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: L CA: G DK: 7 ES: APTA GB: PG GR: Κ IE: 12 JP: PG12 LT: N-7 NL: AL PL: 12 PT: M/12 RO: 12 US: PG
Runtime: 81
Alexander's day begins with gum stuck in his hair, followed by more calamities. Though he finds little sympathy from his family and begins to wonder if bad things only happen to him, his mom, dad, brother, and sister all find themselves living through their own terrible, horrible, no good, very bad day.
Art Department Coordinator:
Susannah Carradine
Art Direction:
Stephen Christensen
Associate Producer:
Will Rack
Book:
Judith Viorst
Boom Operator:
Knox White
Camera Operator:
Simon Jayes
Bradley Richard
Casting:
Randi Hiller
Tamara-Lee Notcutt
Chief Lighting Technician:
Michael Bauman
Choreographer:
Christine Lakin
Color Timer:
Dan Muscarella
Construction Coordinator:
Terry Scott
Costume Design:
Nancy Steiner
Costume Supervisor:
Linda Matthews
Dialect Coach:
Susan Hegarty
Dialogue Editor:
Michelle Pazer
Director:
Miguel Arteta
Director of Photography:
Terry Stacey
Dolly Grip:
Richard Crompton
Jack Glenn
Jeremy M. Griffiths
Alan Shultz
Editor:
Pamela Martin
Executive Producer:
Philip Steuer
Jason Lust
First Assistant Camera:
Robert 'Caz' Duffy
Kim Guthrie
Robert Heine
John Stradling
Zoran Veselić
First Assistant Director:
Sunday Stevens
First Assistant Editor:
Staci Pontius
Foley Editor:
Kerry Ann Carmean
Greensman:
Tony Castagnola
Hair Department Head:
Shandra Page
Hairstylist:
Peter Tothpal
Teressa Hill
Andrea Jackson
Pauletta O. Lewis
Rachel Bonner
Valerie Jackson
K. Troy Zestos
Key Grip:
Les T. Tomita
Key Hair Stylist:
Lynda Kyle Walker
Key Makeup Artist:
Cinzia Zanetti
Key Set Costumer:
Jimmy Jay
Lead Painter:
Louie Esparza
Jeffe Jenkins
Leadman:
Gary Isbell
Location Manager:
Robert Foulkes
Makeup Artist:
Bill Corso
Cinzia Zanetti
Becky Cotton
Jenni Clark
John Damiani
Lisa Nash-Jones
Judy Staats
Makeup Department Head:
Roz Music
Deborah La Mia Denaver
Modeling:
John Paul Molloy
Music Editor:
Philip Tallman
Fernand Bos
Original Music Composer:
Christophe Beck
Painter:
Rocco Francesco Paolone
Picture Car Coordinator:
Marty Osborne
Producer:
Shawn Levy
Dan Levine
Lisa Henson
Production Design:
Michael Corenblith
Production Executive:
Blanca Lista
Production Supervisor:
Matthew Hirsch
Prop Maker:
Clint Carney
Property Master:
J.P. Jones
Rigging Gaffer:
Charlie McIntyre
Rigging Grip:
Jose F. Barrios
Rick Harris
Screenplay:
Rob Lieber
Screenstory:
Rob Lieber
Script Supervisor:
Rebecca Robertson
Set Costumer:
Aimee McCue
Set Decoration:
Susan Benjamin
Set Designer:
Everett Chase
Lorrie Campbell
Sound Effects Editor:
Michael Payne
Dan Hegeman
Nancy MacLeod
Sound Mixer:
Steve R. Nelson
Sound Re-Recording Mixer:
John Ross
Myron Nettinga
Sound Recordist:
Aiden Ramos
Special Effects Coordinator:
J.D. Schwalm
Still Photographer:
Dale Robinette
Studio Teachers:
Maura Gannett
Stunt Coordinator:
Garrett Warren
Scotty Richards
Supervising ADR Editor:
Glynna Grimala
Supervising Sound Editor:
Andrew DeCristofaro
Becky Sullivan
Transportation Coordinator:
Geno Hart
Unit Production Manager:
Philip Steuer
Unit Publicist:
Ernie Malik
Visual Effects Coordinator:
David Masure-Bosco
Jane Reynolds
Visual Effects Producer:
Amol Parulekar
Visual Effects Supervisor:
Patrick McClung
Christopher Lance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.